Tag Archives: Jimi Hendrix

STIRRED UP: How Long Since You Felt Your Soul Tingling?

“It’s the possibility of having a dream come true that makes life interesting.” –Paulo Coelho, The Alchemist

“The possible’s slow fuse is lit by the Imagination.” –Emily Dickinson

Hello friend,

I am feeling the tingle! Lately, I have discovered fairies dancing in my chest. My imagination has been soaring. And, perhaps most telling of all, I have been walking around with a twinkle in my eye. My soul is on fire!

All of this can only mean one thing: something new and completely intriguing has landed in my mind. More precisely, it was dropped there like a bomb from the outside. And now it is in there, wreaking havoc on my usual thoughts and priorities. It is, simply put, a distraction. Oh, but what a delicious distraction it is!

It all started a few weeks ago, when, completely out of nowhere, I got a message from an old friend who I rarely hear from. “I was thinking we could collaborate on a little poetry book with you writing and me doing some illustration.” Here would be the appropriate place, if you and I were texting right now, for me to insert the “mind blown” emoji. The idea just totally knocked my socks off, both for its randomness and its supernatural powers of inspiration.

I cannot explain it–though, of course, I will try, because I can’t help myself–but somehow it just reached down into the deepest recesses of my soul and grabbed something that I didn’t realize (or remember?) was there. I have always held in my mind such a romantic image of poets, much the same way I do of songwriters, painters, yogis, and surfers. I suppose it has something to do with tapping into the greater powers of the Universe in ways that the rest of us commoners never do. I have wished, at various points in my life–and perhaps secretly for all of my life–to be one of those people. I long to be more creatively gifted, deeper spiritually, and physically (and geographically) able to paddle out into the ocean to synchronize with the waves and be truly free. Those thoughts send my mind and soul spinning toward Bliss.

Though I write these letters to you and take the crafting of them seriously, I tend to think of my gifts as more of the crafting variety and less of the truly artistic. These words are, I am sure you will agree, not exactly the elegant, dripping-with-beauty prose of a master. I don’t flatter myself that the great American novel is in me just waiting for me to release it any more than I have faith that I will one day paint like Renoir or play the guitar like Jimi Hendrix. But I love to write and am grateful for whatever meager gift I have any claim to. And hey, a guy has fantasies! You think I never dreamed myself penning a rhyme as beautiful as John Keats or William Butler Yeats? Of course I have.

In one of my acting classes so many years ago, the teacher had us all dialed into the poetry of the Romantic Era. Keats, Byron, Shelly, etc.. Challenging as it was for my early-20s brain to absorb their seemingly foreign language, I became quite taken by it. I imagined what it would be like to have that kind of magical gift, who might be my muse, and the writing process of a genius. Because of my lack of true belief, I have never actually put my butt in the chair and attempted it, but don’t mistake that for an absence of fantasies. I have longed to be a poet, just long ago and only in my dreams.

So, when I read that note from my old friend a few weeks ago, it was like the lid was pried off an old, dusty jar that had long been lost (hidden?) in the dark depths of the cellar. It was as though she had uncovered a secret I had never told anyone. My mind was stumbling in disbelief, both that she would ever have considered offering the idea of a poetry book to me, the non-poet, and that she had somehow unmasked that long-buried aspect of my soul’s many and meandering longings. I felt suddenly naked and vulnerable, exposed in a way I hadn’t imagined I could be. How could she know? And even if she had that intuition, the audacity to propose such a daunting challenge was something that all but knocked me over.

My mind was all over the place as I read and re-read her note. “Is she insane? I am no poet! That would be so much fun to collaborate….except that it’s probably been 30 years since I wrote some silly Haiku in high school. What would ever have put this random idea in her head? There’s no way I could do this! I am sure she knows some actual poets; why me? I wish I could pull it off. I need to tell her she is crazy so she can find a true artist to match her illustrative talents. And yet….”

And yet. Those two words would not let the idea drift away quietly, even as my brain suggested it should.

There are these moments in life when the soul will simply not cooperate with the logical, practical brain. We are inexplicably drawn to an idea, a person, or a place. No matter how we explain it away, our intuition/gut/heart/sixth sense/soul/daemon will not let it go.

When I was about 20, my straight-A, medical school-bound brain advised/warned me to stay on the same straight path I had been on since I started kindergarten, but my soul felt a sudden, unstoppable pull in a seemingly opposite direction. A few years later, a similar drive appeared out of nowhere, demanding that I explore Europe, despite never before having any interest in it. In the years that have followed, I have been pulled out of comfortable workplaces and a comfortable career into uncharted waters that somehow begged to be delved into. Just before I wrote you my first Journal of You letter almost six years ago–with no precursor for it in my background and no reasonable amount of available time or energy to pull it off amidst a busy life of work and two little kids–my soul surged to the point of mania to disgorge it from my system and get it onto your screen. It felt like I was on fire inside as I composed it, despite the fact that there was no obvious or logical germination point for the concept. Why???

Only the soul knows.

In the movie Despicable Me 2, one of my favorite lines is when Gru declares, “Evidence shmevidence–I go with my gut!” The most exhilarating moments of my life have been those immediately after I ignored the logical arguments against the thing I had just done, the thing that overtook my soul and simply felt right to me. The thing that made my heart sing and my eyes twinkle. The thing that blew my hair back and gave me the tingle. In those moments, the outcome was far from certain and probably more likely to fail, but I felt so completely true and aligned and pure. I had listened to those cues my soul gives me–the quickened pulse, the hyper-curiosity about the topic at hand, the deep sense of Peace when I imagine myself doing it, the tingles, the tingles, the tingles–and trusted. The end result didn’t seem to matter, even, because I was finally fully connected. Finally me.

Maybe these opportunities are always around us and only need an open-enough mind to sense them and a bold-enough imagination to give them a full whirl through your system to see what kind of feedback you get. But maybe, as I am guessing, these magical possibilities come through our lives like comets or fireflies, beautiful rarities that are so wildly rewarding only if we are fully present for their fleeting but devastating Wonder. If we are lucky, open, and brave enough to participate in their fanciful game, we just might get to ride a few of Life’s comets.

When I read my friend’s unlikely note a few weeks ago, amidst much head-shaking, I finally decided that this is one of my little windows into the Wonder of the Universe and the potential magic of Me. This is a chance to reach into the field of pure potentiality and see if I might become something different, something bigger than I had ever believed possible.

I still don’t know if I can write a poem, and I still would not bet that the proposed project will ever come to fruition. But I am willing to play along with those fairies in my chest. I selected an empty notepad and made it my Poetry Notebook, ready to be filled with ideas, attempts, and maybe even a completed verse of two. On the first page, I jotted down some potential topics. On the second, I wrote my first attempt at a free-verse poem (I have to get past the idea that rhyming is silly). It was awful, of course. But the process plainly tickled me. I grinned and giggled as I wrote. I could feel my soul nodding its approval. Not of the poem, but of me.

I don’t take that approval for granted. I have had plenty of days and nights of a restless soul, a sad soul, an empty soul. Approval feels so much better. So, I am going to keep trying to make music for those fairies to dance to, even if it comes in the form of bad poetry and ordinary letters to you. Life’s tingles are too good and too rare to miss. I don’t know what it will be next that stirs my soul, but I plan to be open to it when it passes my way.

How about you? When was the last time you felt your soul tingling at the prospect of a life change? Open up your journal and tap into your sixth sense. What kind of signals does your intuition/soul send into your body and mind when it is attracted to a new possibility? Butterflies in your stomach? Fixation on the idea? A light heart? Vivid imagery? The urge to dance or run or create? When was the last time an idea appeared on your doorstep–whether generated by you or offered up by someone else–that clearly stirred up your soul, not just your brain? What do you think it was about that particular idea that caused such a reaction? How much potential did the idea have to transform your life? What was your reaction? Did you pay close attention to the cues your soul was sending from the beginning, or did you hold them at bay until they became too strong to ignore? What was the strongest cue? Did you explore the new idea and give it a full whirl through your imagination? Did you take any real action to try it out (e.g. have a job interview, try a class, ask a person to coffee, write a poem, etc.)? Did you feel a sense of Peace that signaled your soul’s approval of your pursuit? How did it work out in the end? Did you change your lifestyle, or did you fail at your attempt and move back to your old routine? Was it a worthwhile failure? Is it always worthwhile to pursue these flights of the soul, no matter how they work out? Do the flights keep you alive? What form have your flights taken in your life? An artistic venture? A new career path? Travel? Study? Romance? Relocation? New foods or exercises? Spiritual seeking? Does your soul remind you in different ways depending on the type of thing it craves? Which is the signal you are most likely to follow? Leave me a reply and let me know: What makes your soul tingle?

Twinkle on,

William

P.S. If today’s topic resonated with you, please share it with your community. Let’s remind each other to chase the Light!

P.P.S. If this way of pursuing your Truth by excavating your story appeals to you, consider buying my book Journal of YOU: Uncovering The Beauty That Is Your Truth at your favorite online retailers.

 

 

 

Witnessing Magic: Which Historical Event Would You Experience?

“The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience.” –Eleanor Roosevelt

“People never learn anything by being told, they have to find out for themselves.” –Paulo Coelho, Veronika Decides To Die

Hello friend,

I have just had the most uplifting treat! I sat down to watch a documentary merely to learn some history and came away instead with a full heart and a smiling soul. And longing! Oh, how I longed to be swept away and taken back in time–a few years before I was born–to feel what those lucky people felt over the course of three long days on a farm in upstate New York. I longed to be with them at Woodstock.

That whole world of the middle-to-late 1960s is absolutely fascinating to me. I have done a lifelong, off-and-on study of this revolutionary era in American history, when norms and expectations were being questioned, challenged, and sometimes toppled, both by the groups who had so long been oppressed but also by the children of those who had created all of these norms and expectations in the first place.

There was a “counterculture” that did things like grow their hair out, oppose a war (relatively unheard of until then), resist racism and poverty, and yes, even take drugs. Music was a language they could share. Bob Dylan was one of many who sang for them:

Come mothers and fathers 
Throughout the land
And don’t criticize
What you can’t understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly agin’.
Please get out of the new one
If you can’t lend your hand
For the times they are a-changin’

Indeed, they were. There was a generation of people that were disillusioned by the America they had been sold and were actively bucking the establishment. And whether they were individually more focused on fighting for the civil rights of African-Americans, women’s rights, ending the war in Vietnam, or merely the conservative dress code and social mores of their parents, they seem to have each been buoyed by the progress on the other fronts. They were doing it together. The rising tide was lifting all of the countercultural voices, emboldening them to believe that real change could be made.

Young people with Freedom, Love, and Peace on their minds will make magic happen.

Riding that wave of idealistic unity and rebellion, and fueled by the music of their new generation, a few guys decided to put together an outdoor festival on a dairy farm in bucolic upstate New York. Billed as “3 DAYS of PEACE & MUSIC,” with the silhouetted image of a dove perched on the neck of a guitar on its advertisements, Woodstock became–and remains–the most epic music festival in our history.

But it was so much more than a big concert. It was a cultural touchstone. It was the subject of the PBS documentary I recently watched on Netflix called “Woodstock: Three Days That Defined A Generation.”

Woodstock was something I was vaguely aware of as a kid–it happened in 1969, a few years before I showed up in the world–kind of like Vietnam or the Civil Rights Movement. They were so near to my lifetime but, as a sheltered kid in a small town with parents who weren’t about any of that stuff, 1969 might as well have been in the Stone Age. I had no exposure and thus was left to rely only upon my natural curiosity, which kept vague notes regarding what I should remember to learn about one day in the future.

That note was still left unchecked in my mind when I opened up Netflix last week to see what was new. There on my screen was the key to one of my lifelong curiosities and what is now one of the events I most wish I had attended in all of human history.

Watching the images from the film–both the aerials spanning the sea of humanity in the natural amphitheater of the hilly field as well as the intimate shots of the peaceful, joyous faces–and listening to voiceovers from the festival attendees as they unpacked their memories from the magical weekend that changed their lives, I could not help but envy them and imagine how I would have fit into such a unique scene, not merely as a fly on the wall but as a full participant.

Indulge me, please, a few too many quotes from those lucky souls, expounding upon everything from the sheer size of the crowd to the palpable energy to the depth of the impact the entire experience had on them. To begin, the first impressions:

“As you walked in, it hit you. Suddenly it just all came into view at once: this whole, enormous bowl full of people. It was mind-boggling.” –Michael Lindsey, attendee

“Coming over the hill, the feeling, the energy of that crowd was something I’ll never forget. There was so much power in it.” –Joel Rosenman, producer

“It was indescribable, the feeling that came over me of warmth and ‘Oh my God, there are this many people in the world that think like I think. There are all these people; I never knew there were that many people in the world!” –Laureen Starobin, attendee

“We walked up that hill, and we saw, you know, all these people our age, looked like us, dressed like us. You know: Us. I mean, it was just, it was like meeting your brothers and sisters. It was really beautiful.” –Susan Reynolds, attendee

“We were 400,000 kids on a hillside who were all vehemently against the war and, you know, for me it was like, ‘These are our people! We found our people!’” –Susan Reynolds, attendee

When the producers realized that they could not erect the fence around the farm soon enough to keep out people without tickets, they made the extraordinary move of announcing that they would no longer be charging admission, effectively losing themselves hundreds of thousands of dollars in the process and ensuring the festival would be a huge financial loss. The generosity of that gesture was absorbed by the swelling crowd and seemed to multiply from there. Everyone just seemed to take care of each other, passing around whatever food (and drink and drugs) they had with all of those around them. They sang and danced together, made campfires for all, and slept next to one another under the big night sky.

But it wasn’t just the concert-goers who seemed to find the best of themselves in the experience. The locals, who considered themselves hicks and conservative country folk and many of whom staunchly opposed the festival and the “hippies” from the outset, became swept up in the wave of Love and Good Will that washed over their rural county. When, upon hearing on the second day of the festival that the food had run out and that trucks could not get through because of traffic jams, they made sandwiches and emptied their home pantries, donating everything they could to be helicoptered to the site to feed all the hungry festival-goers. Similarly, when medical supplies ran out, doctors volunteered their time and flew in on Army helicopters full of supplies to treat the people in need. Something magical was happening.

“This was actually kind of a functioning city out in the middle of nowhere, and we realized it was functioning because of people pulling together. It just had this feeling that this was ours. This was the new city; this was the alternative city. And it worked.” —attendee

“I remember sitting in the mud listening to Crosby, Stills, & Nash, looking at the sheer beauty of the night sky and wrapped in a blanket of Music. It was the feeling of oneness with it All.” –Katherine Daye, attendee 

On the third day (Sunday), an older-looking gentleman walked onto the stage. It was Max Yasgur, the conservative owner of the dairy farm that had been taken over by this ocean of young people. He, too, had been moved by the experience and had donated tons of milk and yogurt so that everyone could eat. He humbly stepped to the microphone:

“I’m a farmer. I don’t know how to speak to 20 people at one time, let a crowd like this. But I think you people have proven something to the world. Not only to the town of Bethel or Sullivan County or New York state; you’ve proven something to the world. The important thing that you’ve proven to the world is that a half a million kids–and I call you kids because I have children that are older than you are–a half a million young people can get together and have three days of fun and music, and have NOTHING BUT fun and music. And I God bless you for it!”

By the next day, Jimi Hendrix had played his iconic rendition of “The Star Spangled Banner” and the sea of people had risen from the mud and returned to the world, forever changed by the experience.

“If 400,000 people could get together and have absolutely no violence, absolutely no conflict, I felt like if we could bring all that love back into society, we could change the world.” —attendee

“The festival became a symbol of intelligence and humanity and cooperation and love and affection. It was the start of a phenomenal change in a lot of people’s lives.” –attendee

“I felt like I had finally gotten to fully experience what I was hoping the counterculture meant. Woodstock was a very powerful confirmation that, yeah, this is what you are looking for and you are headed in the right direction.” —attendee

“Everyone looking after one another, everyone caring for one another. I mean, once I experienced that, I made it the basis for the whole rest of my life.” –attendee 

That is some powerful stuff. It captivates me, I think, because of the “wave of Love” that seems to have taken over the entire production. The vibe. The energy. The feeling that seemed to sweep over all involved. I think it was something transcendent, something bigger than the sum of each person’s contribution. It was bigger than anything.

When I think of other historical events I would like to have been a part of, I think that what draws me is this sort of wave that Woodstock had going for it, this momentum of Love and Good Will that swept up everything in its path. I imagine being a part of the Civil Rights Movement, riding the wave on buses and at lunch counters, at the March on Washington with Martin Luther King. I imagine riding the wave as one of Jesus’s followers in his last few months. I bet the people at the launch of Apollo 11 for America’s “moonshot” felt that unity and excitement. Similarly, I can imagine wanting to be swept up in the frenzy of a hometown’s ride to a Super Bowl or World Series victory, especially being in the stadium for the final win. I remember my Black wife flying our infant daughter across the country and going out in the wee hours of the morning in the bitter cold just to be in the same city as President Obama’s first inauguration, so momentous was that occasion in her life and the life of so many people of color. She had to be there. These feelings–and the memories they stamp on our heart hearts and minds–are irreplaceable.

This is how I picture Woodstock. That wave of love.

It is the only way I can explain to myself why I am so particularly drawn to it. Yes, I love music, and it had that. But music alone doesn’t explain it. Because, really, I: 1) dislike crowds and sharing germs with strangers, much less sleeping in the mud with them and using porta-potties, 2) have never been interested in drugs, and 3) don’t necessarily know well or care for many of the bands performing. It has to be the wave. That feeling of being a part of something bigger than myself. Something beautiful and pure. A unity of spirit.

Maybe this is the reason why the documentary hits me so hard right now. Maybe the profound Unity and Love that defined the festival leave me shuddering and longing to this degree precisely because these are the things so sorely absent from our country today, 50 years after those transformed young people wandered off Max Yasgur’s farm and back into America. I mean, can you imagine putting 400,000 strangers in a field together in our era and come away three days later with no stories of conflict, violence, or animosity? It is absolutely unthinkable. Our wave seems to be sweeping as forcefully but in the opposite direction that theirs was. Give me Woodstock over this nonsense anytime.

It was truly a singular event in human history. I wish I had been there.

How about you? Which event or era in human history would you like to be a part of? Open up your journal and allow your fantasies to run freely. What event comes first to your mind? Did it happen during your lifetime and you were just somewhere else, or is it from a different era altogether? Was it something brief (seeing The Beatles on Ed Sullivan, Kennedy’s inauguration, the March on Washington, the fall of the Berlin Wall, a Super Bowl, or even a family reunion during your ancestors’ time) or did it take place over a number of days or months (following Jesus or Dr. King or the Grateful Dead, a sports season, or living in Rome at the height of its glory)? What is it about that event or era that appeals to you? Is it the people involved? The place where it happened? Is it about what it led to? How historically significant is your event? How much of it is personal to you or your family? Was it a part of a wave of feeling or a movement that people were swept up in? Have you studied it in depth or, rather, do you not know much about it but just have a romantic vision of it in your mind? Is it easier for your mind to fantasize about it if you know more or fewer of the specifics? Speaking of your imagination, do you think that if you were actually able to time-travel to your special event, would it be as good as you imagine it, or would it disappoint? Do you think the people there knew it was special? How well do most people do at recognizing the significance of their biggest life moments while they are happening? In your own life, have you fully absorbed your biggest moments in real time and recognized them, or was it only later that it struck you how important and impactful those moments were? Does that even matter? Is there an entirely different era that you would prefer to live your whole life in? What can that era teach you about the kind of life you want to live now? What can you do in your little corner of the world to create more of the kinds of moments that you will want to relive in the years to come? How can you create that wave of Love or that sense of true Unity, that feeling of being part of something special and pure and bigger than yourself? How confident are you that there are magical moments like that in your future? Which past example do you hope it most resembles? Leave me a reply and let me know: Which historical event would you go back and experience?

Make your own wave,

William

P.S. If this resonated with you, please share it with your community. Create a movement together!

P.S.S. If this way of self-examination illuminates you, consider purchasing my book, Journal of YOU: Uncovering The Beauty That Is Your Truth at your favorite online retailers.

The One-Item Bucket List: what MUST you do before you die?

IMG_1171“I’m the one that’s got to die when it’s time for me to die, so let me live my life the way I want to.” –Jimi Hendrix

Hello friend,

Did you ever come to an important realization about yourself, only to smack yourself in the head and say, “Well, that was obvious! Why did it take me so long to figure this out?” If your answer is YES, then you are in good company, because that is totally me right now!

I have been lately working every day on what I call TJP, short for “The Journal Project.” Essentially, TJP is a life review, using my 20+ years of journals, in an effort to better understand who I have been and how I have come to be the man I am today. But it’s also much more than that. It’s a book in the making. I am attempting to construct a readable story using only journal entries. It was originally intended just for me, but then I thought I might make it for my kids so they would understood who their old man really was. Finally, I decided to see if maybe my thoughts could be helpful to a wider audience. So, that’s how I am reading the entries now, with an eye toward a real book. I won’t know until I finish the project if it has value for anyone besides me, but I hope that it works out that way. If not, just going through the process will have at least taught me one important thing that I didn’t know before: that I am a writer.

You see, it was around the time I was starting The Journal Project that I was coming up on my 40th birthday. Somehow, whether it was the approaching milestone or just coincidence, I began to obsess about finding my true purpose in life and doggedly pursuing my dreams. As I read through my first few volumes from around 15 years before, all sorts of references to my desire to write books jumped off the pages at me. Examples:

October 20, 1997: “…but I just want to write all the time. I stop myself so many times in the day from pulling out the pen because I know I haven’t really anything to say. It’s all I want, though, it seems.”

December 10, 1997: “When I think of the concept of writing a book, it just seems so big and daunting. But the thing is, I know I can. I have no doubt that it will be a ton of work, but that aspect excites me to no end. I want to be up to my ears in it. I love the image of writing through the night on some incendiary ideas which evolve into world-changing passages.”

May 3, 1998: “Perhaps I should begin to organize my first book.”

August 23, 1998: “I was just thinking, I think I should write for a living.”

July 3, 1999: “I wonder how many of these things (journals) I will fill up before I finally write a book and publish it. Thirty? Fifty? I think this is the fourteenth one. Shoot, maybe that number will be 100. It is coming to me, though.”

September 27, 1999: “I really want to write books one day. I want to be an author and a lecturer, a teacher to all.”

October 4, 1999: “Wow! I cannot wait to start writing. The time is approaching when I explode onto this world with love and hope for all. I feel it in me.”

These passages seemed to stand out in bold to me as I read them. Why? Because I had almost completely forgotten how badly I had wanted to write books. I mean it. I fell into a long phase of life during which I was focused on my “realistic” career and marriage and parenting, and the thing I was most passionate about doing faded out of my mind. I took my eye off the ball, fell asleep at the wheel.

Fast forward all those years later, from my mid-twenties to almost 40, and the search for my passion, my true calling, finally woke me from that phase that I now call “Sleepwalking.” Suddenly, my journal entries began to be littered with thoughts that had disappeared those many years ago:

September 14, 2012: “I will write a book. I will. Hopefully it will be sooner rather than later. I am excited.”

September 19, 2012: “I am fairly clear now that I will not be a novelist. My books will be non-fiction, most likely involving self-help/confidence, spirituality, or tennis, or perhaps all three together.”

September 27, 2012: “…I have often thought of writing an autobiography, or trying to piece together an interesting story of a man—me—told only through journal entries. Probably it would only be interesting to me, but it may be very satisfying to work on anyway. Who knows? There may be something there. I will keep this in my head.”

October 3, 2012: “So I will be a writer instead. I am going to keep telling myself that—I have just recently giving myself permission to announce my dreams, at least to myself—at least until it comes true. The more I say it, the more it pushes me to start doing something about it. That is, to start writing, or at least researching, brainstorming, and jotting notes about what I want to write. It is a first step in the right direction. This is going to work.”

October 13, 2012: “With this ‘announcing’ thing on my mind lately, and me making my ‘Write, William. WRITE!!!” sign for my desk, I thought it fortuitous when I received this quote on Thursday from one of my greatest idols/inspirations, Henry David Thoreau: ‘A single footstep will not make a path on the earth, so a single thought will not make a pathway in the mind. To make a deep physical path, we must walk again and again. To make a deep mental path, we must think over and over the kind of thoughts we wish to dominate our lives.’ I am a writer. I am a writer. I am a writer. I share myself with the world in order to educate the world. By giving of myself, I can make the world better. My thoughts are worth sharing. I am a writer. I am a writer. I am a writer.”

Even though those entries were almost four years ago now and you still don’t have a book of mine in your hands, I am pleased to report that this time, I have not forgotten. The book has sometimes had to be put on the back burner for long stretches as Life intervened, but it has never left the stove. And lately, I have been pushing hard on it. It is far from complete—probably there are years of work left—but there is no longer any doubt that I will complete it. And if my first one isn’t worth publishing, I will write another one. And another.

My bucket list—you know, those things you plan to do before you die—has only one line on it: WRITE A BOOK. Oh sure, there are other things I want to do before I kick the bucket—learn to snowboard, take my kids on a National Parks trip, get back on a surfboard, learn the guitar, live on a beach—but there is only one thing I need to do in order to die satisfied. It’s the thing I once knew, then forgot about, and then was reminded of again, thanks to my journals. I need to publish a book. Sure, I plan to publish many, but one is the absolute minimum standard before I go. That’s all I need to do.

How about you? What one thing do you need to do before you die in order to leave satisfied? Open up your journal and flesh out your deepest need. This is a tough one, because it forces you to separate needs from desires. Start off more generally, making a list of everything on your wish list of life experiences or achievements. What types of things come first to your mind? Are they career goals, like promotions or raises? Learning a new skill, such as a musical instrument or a language? Travel? Physical achievements, such as weight loss or running a marathon? Adventures, like sky-diving or swimming with dolphins? After you have your list together, see if something stands out and speaks to your soul more forcefully than the others, something you are unusually drawn to. Would that experience be enough to allow you to die satisfied? How risky is it for you to pursue this most important endeavor? Risky in what way—financially, physically, emotionally, or something else? How far out of your comfort zone is it? Is it something you have always dreamed about? Have you verbalized it, even if only to yourself (your version of my “I am a writer” mantra)? How difficult is your item to achieve? Do you need help from anyone to achieve it? Are you willing to ask for that help? How long until you will be reasonably able to knock this off your list? What will it mean to you to have done it? Will it bring more excitement or relief? How badly would it disappoint you to not do it? Leave me a reply and let me know: What one thing must you do that will allow you to die satisfied?

No day but today,

William

P.S. If this letter helped you put some things in perspective for your life, pass it on. I encourage you to sign up to receive each week’s post in your email inbox. Now write!