Tag Archives: Bob Dylan

What Is Your Next Great Challenge?

“Do one thing every day that scares you.” –Eleanor Roosevelt

“You never change your life until you step out of your comfort zone; change begins at the end of your comfort zone.” –Roy T. Bennett

Although on the surface my life has looked pretty boring for the last several months, inside I have been completely on fire.  Circuits have been popping, fireworks have been exploding, and something magical has been coursing through my veins.  I have felt thoroughly ALIVE.  It’s why I haven’t written to you in so long, despite my best intentions to do so.  I just couldn’t take a chance on letting that electric feeling in my soul fade away.  I couldn’t risk it.  So I just kept at it until at last I was sure I had a hold of it.  And now here I am, dying for you to get some of what I got.  It is the best drug I know of.  The best part: it starts and ends inside of you.

I wrote a book.  And not just any kind of book.  I wrote a novel.  A work of fiction.

Never in my life have I ever believed I could write a novel.  Never.  Oh sure, I fancied the idea of being a famous novelist in the same way I fancied being a singer-songwriter-guitarist touring successfully or a renowned painter or sculptor.  These are skills I have never trained for and talent that I fantasize about but simply do not possess.  It is a sturdy characteristic of my long existence that I wish I was so much more artistic than I actually am.  I truly adore the Arts and the artists that create them.  I just don’t have the gifts.

The closest I have ever come is writing these letters to you.  I like to think there is some element of the artistic in finding the right combination of words to convey my ideas.  It is not purely robotic.  So I flatter myself and motivate myself by regularly reminding myself, “I am a writer.”  It appears over and over again in the pages of my daily journal entries.  “I am a writer.”  I use these letters as proof and the repetition of the mantra to convince myself of its truth.

But I know the deal: a writer of true words and opinions, even if anguished over and painstakingly executed, is no novelist and no poet.  Those are the true artists under the writing umbrella.  I suppose I have always felt like more of a journalist or a columnist for a magazine or newspaper, occupying the rungs on the writing ladder that are “of this world.”  A regular person who writes, not an artist (like a house painter compared to a Renoir or Monet).  The artists are the storytellers and the poets, the songwriters.  You know them.  Stephen King.  Amanda Gorman.  Bob Dylan.  All touched by The Muse in a way regular schmucks with a keyboard like me have never been.  I have known my limitations and been humble enough to stay on my side of the line.

But then I got an idea.

It came to me this Spring.  It wasn’t a story so much as it was a character: a confused kid who needed to sort out his life.  I could see him, but that’s about it.  The protagonist, if you will.  The narrator.  I thought he was worthy of a story, even if I didn’t know what that story was.  Mostly I thought, “Too bad you landed in my brain instead of a real writer’s.”  I figured he would languish there and die, fading away like other moments of inspiration that I have felt along the way.  I’m guessing we all have them: little signs from the Universe that we choose to either notice or ignore.  I bet the real artists notice them better and latch on for dear life, fully aware that how they handle inspiration is the only true currency of their oh-so-short lives.  Well guess what?  All of our lives are oh-so-short.

Maybe I realized that when this narrator kid showed up in my brain.  Maybe I knew deep down that I had been coasting too long, enjoying my life but knowing it lacked the thrill of a genuine challenge.  I admit that I had become aware that I had been taking it easy in the prior months, that I had uneasily given myself permission to be less ambitious.  My tolerance for ease has never been great.   Maybe my soul couldn’t stand it anymore.  Whatever it was, something about this kid in my head struck me differently.  He wasn’t leaving.  He needed a voice, an outlet.  He had something to say.  Though I felt bad for him for landing in my unimaginative brain, I offered him my best attempt.  He accepted.

Not long after, I wrote his first words.  I just thought of it as a writing exercise.  Like, “Okay, here’s this kid.  What would he say?  Go!”  So I went, awkwardly but excitedly.  I wrote this in my journal the next day:

“Big news: I started the middle grade novel last night….it was so fun…It is so exciting—a rush is an accurate term—to create again, and especially in this fiction way.  It is new and thrilling.  I feel the hormones popping.  No matter what comes of this, I am glad I started.”

And that’s how it went.  Early on, I had so little time that every chance I got to work on it, my journal the next day was bubbling with the joy and inspiration I was feeling alongside the tension of venturing into the unknown and feeling unequipped.

“This is going to be hard and fun.”

“I am eager to get back into the story tonight, as last night I felt the story begin to take shape.  I am in the middle of introducing the villain, and that makes me feel like my teeth are finally getting into it.  It’s exhilarating.  I am a writer!  For that, I am grateful and so happy.”

“I have lots to flesh out.  I wish I had a couple of months obligation-free so I could grind it all out.  I am so curious to see what The Muse will draw out of me.  It is exciting.  I am so glad I dared to start.”

“It really is fun to work on it.  It opens something in me.  I love being a writer.”

I just love looking back and seeing those words over and over: FUN, EAGER, EXHILARATING, CURIOUS, EXCITING.  And that was only the beginning.  About a month into it, I hit the 5,000-word mark, which felt like a ton to me (it would eventually get close to 50,000).  The next day’s journal entry kind of summed up what it had become for me:

“I am in the midst of the biggest ‘story chapter’ yet, with some relationship development and scene-setting and other things that seem like a real novel.  That is a bit surreal, but it is fun and invigorating.  This project has really ignited something in my soul.  It is a huge challenge, but it stirs a part of my brain that has been dormant for far too long.  It reminds me of Jay Shetty talking about ‘flow state’ being when your challenge perfectly matches your abilities.  It is totally a challenge for me—and honestly, I am not 100% sure I can pull it off—but for now I am pretending that I am plucky enough to give it a whirl.  When I work on it, I am fully engrossed.  I can feel my hormones being stimulated like crazy.  I can’t wait to get back into it.  I am incredibly grateful for its arrival in my world.”

As exciting as it was, though, I still felt way past my comfort zone and wildly anxious about it.  It was a constant dance with my self-esteem to keep soldiering the project forward.  My joy would push forward, and my insecurity about my talent and competence would pull back.  There was a real element of torture to it.  A couple of weeks after that last entry, I wrote this:

“I am up to 8,400 words, which is pretty decent.  Another 1,600 and I will feel fully entrenched in it.  I am fully engaged now, but I think that numerical milepost will give me permission to be like, ‘Yeah, I’m writing a novel,’ maybe even out loud.  I have to keep convincing myself to trust that I have a real story to tell, that I have enough words to fill the pages, that I can land it in the appropriate length range.  I get a little panicked about all that sometimes, I fully admit.  I just have to keep showing up and putting down the next word, knowing that there are many rounds of editing to go.  I have to believe in myself, or at least suspend my disbelief so I can keep working.  I press on.  It is so engaging, though.  I love how I can feel all of these neurons firing all over my brain.  It’s like fireworks in there.  It’s fantastic.”

I inched forward, battling with my fears and insecurities every step of the way.

“I just love what comes out each time I sit down to the keyboard.  When I try to plot it out ahead of time, I only seem to get disheartened.  But when I sit down to work, something always comes out.  I have to remember that so I can keep the faith in the inevitably challenging times ahead.  It is in me.  The Alpha and the Omega.  I love being a writer.”

“I am getting good exercise squashing down all these fears and anxieties about it.  The best antidote is just to keep sitting down to write.”

As I worked through that first half of the book and came to accept that it was going to always be difficult and always a test of my self-belief, I began to appreciate both the process and the greater significance of this undertaking in my life.  I could feel the supreme importance of facing my fear and embracing the challenge with both hands.  I started to see little nuggets like these more often in my daily entries:

“Oh, how I love this the deeper I dive.”

“I am so, so grateful that I took the chance to begin.”

When I reached the last page of that volume of my journal (that is sixty-something now, I believe), I was close to the halfway point in the novel and wrote this to myself:

“This book, in the long run, is going to be remembered for the start of the novel.  That is going to be a big thing in my history, or at least I hope so.  I don’t know if it will lead to more books or just more courage, but either would be a win.  I am proud of myself.”

Even now reading back those words, it feels a bit surreal and pretty darn awesome.  For one, I love that I recognized that what I was doing was going to make me more courageous going forward in my life.  That is absolutely one of the things I am always wishing I was more of: brave.  So, hooray for that.  And second, I am finding it so cool that I wrote that I was proud of myself.  That is not something I think about or claim very often as I pass through this world, so I am glad I had that moment at least once in my lifetime.  I with that upon everyone.

That is way more of my journal entries than you probably ever wanted to see, so I will spare you the many things I said as I pushed through the second half of the novel.  I will just say that there was undoubtedly a lot of glowing about how much fun it was to create mixed with a lot of anxiety about whether I was up to the task.

The brilliant relief is that I was up to it.  That is not to say the draft that I produced is any good.  Chances are good that it is quite awful, in fact.  Of course, I hope it isn’t.  I hope some publisher wants to pay me a million dollars for it and then some movie producer wants to pay me another million to adapt it for the big screen.  I hope it becomes a sensation with readers and that they demand a sequel.  I want all that.  But let’s be real: it is probably terrible.  I will probably find no interested publishers when I get to looking.  It will likely never be read by more than a few people who are either doing me a favor or are bound by blood.  It will almost certainly go down publicly as a failure.

But as much as I wish those things weren’t true, I am still going to look back at this as one of my most favorite life experiences.  Sincerely, I am so grateful about everything this experience has brought me.  Forget the outward stuff, the intrinsic rewards have been more than I could have ever imagined.  Even from that first night in grinding out the first few words, I was surprised and impressed that I would even try something I was so patently unprepared for.  And the mountains of doubts that I pushed through in the early phases of writing–mostly due to the fact that I hadn’t even thought of a story before beginning—I was pleased every time I could face those doubts and still bring myself to write down some words anyway.  It was such a brilliant lesson in sacrificing things that I really wanted to do this Summer for this thing that I just wanted to do more.  In the remaining years of my life, I will carry that lesson of saying no even to things I like because they are not the thing that stirs my soul.  Because man, did this ever stir my soul!  Those tingles and whirrings and can’t-wipe-it-off smiles are truly the stuff of a life being lived the right way.  They are priceless.  The fact that I could have this little period of frequent and regular tingles in my soul is something I will treasure forever.

Now I want more.  That is one of my biggest lessons from this experience.  I need to find more projects or adventures or whatever that will bring more of this feeling into my system.  Obviously it is great to just do more cool stuff and make more memories with things like vacations or concerts and the like.  But what I am talking about is not just the stuff that feels good but that also is a huge challenge for my skillset and something that puts me just past my comfort zone.  What has made this book so singular and special to me is not just that I am making something that can last forever or that can potentially help people but that I never believed I could do such a thing.  I never believed I could write fiction.  I didn’t believe I had a story interesting enough to tell, certainly not one long enough to fill a book.  It was a daily challenge both from a skill perspective and from a psychological perspective.  It required all of my determination, persistence, and self-belief to keep it going from one day to the next.  Thankfully, it then rewarded me for my efforts with these delightful tingles and glows.  But it was a battle.  From this perspective, I can see what a boon the sheer challenge of it has been to my overall life satisfaction.  If it had felt easy and natural, it may have been enjoyable but not nearly as satisfying.

I was listening to a podcast last week with the brilliant documentary filmmaker Michael Moore as the guest.  In his long career, he has taken on the most controversial, hot-button issues of our time, such as gun control, health care, and climate change.  The host asked him how he chooses what his next subject will be.  He said he chooses the topic that scares him the most, the one that will be most difficult or personally risky.  I love that!  He is doing it right, leaning into his growing edge by working in a medium he loves but making it a constant challenge that requires him to grow.

In the end, I suppose my very biggest takeaway from this book-writing experience is that what I want for myself is also what I want for everyone else.  It is not just me that I want adopting a growth mindset and pushing my limits in the service of igniting my soul and blowing my hair back.  It’s everybody.  We all need that, whether we realize it or not.  I want to feel again that same sense of tension between my joy of working on something I love and the fear that I don’t have what it takes.  I want to claim the thrill aspect of that risk and the satisfaction of pushing through.  And I want you to feel it, too.  Maybe mine will come from writing more books.  Or maybe it will be something totally new, like learning the guitar or starting a business.  I hope I am open to the inspiration in whichever form it arrives.  I am eager for my next great challenge.

How about you?  What is the next thing that will stir your soul, challenge your skillset and your self-belief, and potentially be wildly delightful in the process?  Open up your journal and plot to uncover your next great challenge.  Consider what you have already done.  What are the things in your life story that fit the description of a true soul-stirring challenge?  Was it some kind of educational pursuit (getting a degree, a licensure, etc.)?  Was it taking some sort of Art class or taking up an artistic endeavor on your own (e.g. photography, painting, a musical instrument, writing a novel)?  Was it having a child or taking on childcare responsibilities?  Was it a career change?  Was it some sort of physical challenge (e.g. weight loss, marathon training, crossfit, martial arts)?  In which pursuits have you grown the most as a person?  Which challenges left you feeling most fulfilled?  Which were the most pure fun?  In which challenge did you fail at what you were trying to accomplish but still gained so much from the experience?  Which of your greatest endeavors would you want to do all over again?  Which would you never even consider trying again?  Which would you recommend to others?  Are you in the middle of a pursuit now, or are you in a coasting phase?  Is coasting satisfying to you, are you like me and get antsy to achieve something if you are passive for long?  So, based on your review of all of the challenging pursuits of your lifetime so far, are you generating some ideas about what might be next for you?  Is it creative, physical, intellectual, or something else?  Which type of challenge is most likely to pull you quickly out of your comfort zone?  How badly do you need that big plunge into the deep end to jumpstart your soul?  Which type of challenge pushes you just hard enough to be engaging but not so much that you feel your self-esteem questioned?  What is something you have always secretly wanted to try or learn?  What keeps you from taking the next step toward doing it?  Is that an excuse you can live with?  How many more years do you think you have left to live?  Would it be okay with you if you arrive at your end and realize you haven’t pushed your limits and reached your potential?  Which challenge could be your first step to finding out?  I dare you to try.  Leave me a message and let me know: What is your next great challenge?

Wishing you so much courage,

William

P.S. If today’s topic resonated with you, please share it with your community.  All of us living more boldly would make for a truly wonderful world.

P.P.S. If this type of deep dive inside your beautiful mind appeals to you, consider buying my book Journal of YOU: Uncovering The Beauty That Is Your Truth at your favorite online retailers.  Namaste.

Witnessing Magic: Which Historical Event Would You Experience?

“The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience.” –Eleanor Roosevelt

“People never learn anything by being told, they have to find out for themselves.” –Paulo Coelho, Veronika Decides To Die

Hello friend,

I have just had the most uplifting treat! I sat down to watch a documentary merely to learn some history and came away instead with a full heart and a smiling soul. And longing! Oh, how I longed to be swept away and taken back in time–a few years before I was born–to feel what those lucky people felt over the course of three long days on a farm in upstate New York. I longed to be with them at Woodstock.

That whole world of the middle-to-late 1960s is absolutely fascinating to me. I have done a lifelong, off-and-on study of this revolutionary era in American history, when norms and expectations were being questioned, challenged, and sometimes toppled, both by the groups who had so long been oppressed but also by the children of those who had created all of these norms and expectations in the first place.

There was a “counterculture” that did things like grow their hair out, oppose a war (relatively unheard of until then), resist racism and poverty, and yes, even take drugs. Music was a language they could share. Bob Dylan was one of many who sang for them:

Come mothers and fathers 
Throughout the land
And don’t criticize
What you can’t understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly agin’.
Please get out of the new one
If you can’t lend your hand
For the times they are a-changin’

Indeed, they were. There was a generation of people that were disillusioned by the America they had been sold and were actively bucking the establishment. And whether they were individually more focused on fighting for the civil rights of African-Americans, women’s rights, ending the war in Vietnam, or merely the conservative dress code and social mores of their parents, they seem to have each been buoyed by the progress on the other fronts. They were doing it together. The rising tide was lifting all of the countercultural voices, emboldening them to believe that real change could be made.

Young people with Freedom, Love, and Peace on their minds will make magic happen.

Riding that wave of idealistic unity and rebellion, and fueled by the music of their new generation, a few guys decided to put together an outdoor festival on a dairy farm in bucolic upstate New York. Billed as “3 DAYS of PEACE & MUSIC,” with the silhouetted image of a dove perched on the neck of a guitar on its advertisements, Woodstock became–and remains–the most epic music festival in our history.

But it was so much more than a big concert. It was a cultural touchstone. It was the subject of the PBS documentary I recently watched on Netflix called “Woodstock: Three Days That Defined A Generation.”

Woodstock was something I was vaguely aware of as a kid–it happened in 1969, a few years before I showed up in the world–kind of like Vietnam or the Civil Rights Movement. They were so near to my lifetime but, as a sheltered kid in a small town with parents who weren’t about any of that stuff, 1969 might as well have been in the Stone Age. I had no exposure and thus was left to rely only upon my natural curiosity, which kept vague notes regarding what I should remember to learn about one day in the future.

That note was still left unchecked in my mind when I opened up Netflix last week to see what was new. There on my screen was the key to one of my lifelong curiosities and what is now one of the events I most wish I had attended in all of human history.

Watching the images from the film–both the aerials spanning the sea of humanity in the natural amphitheater of the hilly field as well as the intimate shots of the peaceful, joyous faces–and listening to voiceovers from the festival attendees as they unpacked their memories from the magical weekend that changed their lives, I could not help but envy them and imagine how I would have fit into such a unique scene, not merely as a fly on the wall but as a full participant.

Indulge me, please, a few too many quotes from those lucky souls, expounding upon everything from the sheer size of the crowd to the palpable energy to the depth of the impact the entire experience had on them. To begin, the first impressions:

“As you walked in, it hit you. Suddenly it just all came into view at once: this whole, enormous bowl full of people. It was mind-boggling.” –Michael Lindsey, attendee

“Coming over the hill, the feeling, the energy of that crowd was something I’ll never forget. There was so much power in it.” –Joel Rosenman, producer

“It was indescribable, the feeling that came over me of warmth and ‘Oh my God, there are this many people in the world that think like I think. There are all these people; I never knew there were that many people in the world!” –Laureen Starobin, attendee

“We walked up that hill, and we saw, you know, all these people our age, looked like us, dressed like us. You know: Us. I mean, it was just, it was like meeting your brothers and sisters. It was really beautiful.” –Susan Reynolds, attendee

“We were 400,000 kids on a hillside who were all vehemently against the war and, you know, for me it was like, ‘These are our people! We found our people!’” –Susan Reynolds, attendee

When the producers realized that they could not erect the fence around the farm soon enough to keep out people without tickets, they made the extraordinary move of announcing that they would no longer be charging admission, effectively losing themselves hundreds of thousands of dollars in the process and ensuring the festival would be a huge financial loss. The generosity of that gesture was absorbed by the swelling crowd and seemed to multiply from there. Everyone just seemed to take care of each other, passing around whatever food (and drink and drugs) they had with all of those around them. They sang and danced together, made campfires for all, and slept next to one another under the big night sky.

But it wasn’t just the concert-goers who seemed to find the best of themselves in the experience. The locals, who considered themselves hicks and conservative country folk and many of whom staunchly opposed the festival and the “hippies” from the outset, became swept up in the wave of Love and Good Will that washed over their rural county. When, upon hearing on the second day of the festival that the food had run out and that trucks could not get through because of traffic jams, they made sandwiches and emptied their home pantries, donating everything they could to be helicoptered to the site to feed all the hungry festival-goers. Similarly, when medical supplies ran out, doctors volunteered their time and flew in on Army helicopters full of supplies to treat the people in need. Something magical was happening.

“This was actually kind of a functioning city out in the middle of nowhere, and we realized it was functioning because of people pulling together. It just had this feeling that this was ours. This was the new city; this was the alternative city. And it worked.” —attendee

“I remember sitting in the mud listening to Crosby, Stills, & Nash, looking at the sheer beauty of the night sky and wrapped in a blanket of Music. It was the feeling of oneness with it All.” –Katherine Daye, attendee 

On the third day (Sunday), an older-looking gentleman walked onto the stage. It was Max Yasgur, the conservative owner of the dairy farm that had been taken over by this ocean of young people. He, too, had been moved by the experience and had donated tons of milk and yogurt so that everyone could eat. He humbly stepped to the microphone:

“I’m a farmer. I don’t know how to speak to 20 people at one time, let a crowd like this. But I think you people have proven something to the world. Not only to the town of Bethel or Sullivan County or New York state; you’ve proven something to the world. The important thing that you’ve proven to the world is that a half a million kids–and I call you kids because I have children that are older than you are–a half a million young people can get together and have three days of fun and music, and have NOTHING BUT fun and music. And I God bless you for it!”

By the next day, Jimi Hendrix had played his iconic rendition of “The Star Spangled Banner” and the sea of people had risen from the mud and returned to the world, forever changed by the experience.

“If 400,000 people could get together and have absolutely no violence, absolutely no conflict, I felt like if we could bring all that love back into society, we could change the world.” —attendee

“The festival became a symbol of intelligence and humanity and cooperation and love and affection. It was the start of a phenomenal change in a lot of people’s lives.” –attendee

“I felt like I had finally gotten to fully experience what I was hoping the counterculture meant. Woodstock was a very powerful confirmation that, yeah, this is what you are looking for and you are headed in the right direction.” —attendee

“Everyone looking after one another, everyone caring for one another. I mean, once I experienced that, I made it the basis for the whole rest of my life.” –attendee 

That is some powerful stuff. It captivates me, I think, because of the “wave of Love” that seems to have taken over the entire production. The vibe. The energy. The feeling that seemed to sweep over all involved. I think it was something transcendent, something bigger than the sum of each person’s contribution. It was bigger than anything.

When I think of other historical events I would like to have been a part of, I think that what draws me is this sort of wave that Woodstock had going for it, this momentum of Love and Good Will that swept up everything in its path. I imagine being a part of the Civil Rights Movement, riding the wave on buses and at lunch counters, at the March on Washington with Martin Luther King. I imagine riding the wave as one of Jesus’s followers in his last few months. I bet the people at the launch of Apollo 11 for America’s “moonshot” felt that unity and excitement. Similarly, I can imagine wanting to be swept up in the frenzy of a hometown’s ride to a Super Bowl or World Series victory, especially being in the stadium for the final win. I remember my Black wife flying our infant daughter across the country and going out in the wee hours of the morning in the bitter cold just to be in the same city as President Obama’s first inauguration, so momentous was that occasion in her life and the life of so many people of color. She had to be there. These feelings–and the memories they stamp on our heart hearts and minds–are irreplaceable.

This is how I picture Woodstock. That wave of love.

It is the only way I can explain to myself why I am so particularly drawn to it. Yes, I love music, and it had that. But music alone doesn’t explain it. Because, really, I: 1) dislike crowds and sharing germs with strangers, much less sleeping in the mud with them and using porta-potties, 2) have never been interested in drugs, and 3) don’t necessarily know well or care for many of the bands performing. It has to be the wave. That feeling of being a part of something bigger than myself. Something beautiful and pure. A unity of spirit.

Maybe this is the reason why the documentary hits me so hard right now. Maybe the profound Unity and Love that defined the festival leave me shuddering and longing to this degree precisely because these are the things so sorely absent from our country today, 50 years after those transformed young people wandered off Max Yasgur’s farm and back into America. I mean, can you imagine putting 400,000 strangers in a field together in our era and come away three days later with no stories of conflict, violence, or animosity? It is absolutely unthinkable. Our wave seems to be sweeping as forcefully but in the opposite direction that theirs was. Give me Woodstock over this nonsense anytime.

It was truly a singular event in human history. I wish I had been there.

How about you? Which event or era in human history would you like to be a part of? Open up your journal and allow your fantasies to run freely. What event comes first to your mind? Did it happen during your lifetime and you were just somewhere else, or is it from a different era altogether? Was it something brief (seeing The Beatles on Ed Sullivan, Kennedy’s inauguration, the March on Washington, the fall of the Berlin Wall, a Super Bowl, or even a family reunion during your ancestors’ time) or did it take place over a number of days or months (following Jesus or Dr. King or the Grateful Dead, a sports season, or living in Rome at the height of its glory)? What is it about that event or era that appeals to you? Is it the people involved? The place where it happened? Is it about what it led to? How historically significant is your event? How much of it is personal to you or your family? Was it a part of a wave of feeling or a movement that people were swept up in? Have you studied it in depth or, rather, do you not know much about it but just have a romantic vision of it in your mind? Is it easier for your mind to fantasize about it if you know more or fewer of the specifics? Speaking of your imagination, do you think that if you were actually able to time-travel to your special event, would it be as good as you imagine it, or would it disappoint? Do you think the people there knew it was special? How well do most people do at recognizing the significance of their biggest life moments while they are happening? In your own life, have you fully absorbed your biggest moments in real time and recognized them, or was it only later that it struck you how important and impactful those moments were? Does that even matter? Is there an entirely different era that you would prefer to live your whole life in? What can that era teach you about the kind of life you want to live now? What can you do in your little corner of the world to create more of the kinds of moments that you will want to relive in the years to come? How can you create that wave of Love or that sense of true Unity, that feeling of being part of something special and pure and bigger than yourself? How confident are you that there are magical moments like that in your future? Which past example do you hope it most resembles? Leave me a reply and let me know: Which historical event would you go back and experience?

Make your own wave,

William

P.S. If this resonated with you, please share it with your community. Create a movement together!

P.S.S. If this way of self-examination illuminates you, consider purchasing my book, Journal of YOU: Uncovering The Beauty That Is Your Truth at your favorite online retailers.

A Life Sentence In Music: Choosing Your Only 5 Bands For Eternity

“To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.” –Aaron Copland

“People haven’t always been there for me but music always has.” –Taylor Swift

Hello friend,

I have had this question rolling around in my head for months. Months! Typically, if I get a question in my head, I do a little journaling and it works itself out. For some reason, though, I have not followed that path with this one, and it has most definitely NOT worked itself out. So, I write to you today not to share with you what I have worked out, but more to marvel at the process of working it out and how difficult (impossible?) some topics are to nail down and how likely they are to change at the very moment you think you have the answer.

It all started, as most troubles do, with a friend’s Facebook post. I love those people who post great questions that you cannot resist answering in the Comments or, even if you don’t have an answer on the top of your mind, you can’t resist looking at everyone else’s answers. He put one like that on there this week, too: something like, “What are your top five favorite movies, all genres included?” I took that question so seriously that I couldn’t put my answer down immediately because it required deep consideration, so I adjusted my settings so it showed me notifications any time someone commented on it (I love movies, and I love opinions even more!).

Anyway, the question he asked that night a few months ago that has been trailing me ever since is, “If you could only listen to five bands/musicians for the rest of your life, who would you choose?” I was stricken instantly by the difficulty of it. Even as I read my friend’s choices and the lists of the first few people who had already commented–evidence that it could obviously be done–I was overcome by the enormity of the challenge posed. It seemed a question as big as The Meaning of Life. An absolute stumper. As often as I have thought of it since then–almost daily–it remains just that to me.

You see, I am in love with music. It captivates my soul and moves me in a million beautiful ways. I am completely in agreement with the great philosopher Friedrich Nietzsche, who proclaimed, “Without music, life would be a mistake.” In the past decade of my life–ten years defined almost exclusively by heavily involved parenthood–I have often lamented that, for all of the magic and delight that my dotingly attentive Dadding has gifted me with, what it has kept me from is tons of hours under the cover of my big headphones, lost in the sway of this Divine language called Music. You don’t get that luxury when you are listening for babies crying or big kids squabbling. But oh, what a luxury! And there is so much of it filling so many different genres, each magnificent in its own way.

I find pleasure in a wide array of styles: Folk, R & B, Rock ‘n’ Roll, Classical, Blues, Reggae, Hip-Hop, Pop, Jazz, Broadway, Soul, Country (well, a few select old-timers, anyway), New Age, Gospel, Motown, and more.

I am not exactly sure what the proper name of the genre I listen to most is. To myself, I call it “Singer-Songwriter Music.” It is probably easier identified by the names of some of my favorites in that category: Matt Nathanson, Mat Kearney, Glen Hansard, Ryan Adams, Tracy Chapman, Indigo Girls, David Gray, Ben Rector, Ben Folds, Storyhill, Brenda Weiler, Ray Lamontagne, The Decemberists, Natalie Merchant, Joshua Radin, Marc Cohn, Amos Lee, The Avett Brothers, Mumford & Sons, The Eagles, Bob Dylan, Jakob Dylan, Neil Young, Van Morrison, Bruce Hornsby, Five For Fighting, John Mayer, Jack Johnson, and Joshua Kadison. Basically, it is music that is mostly (or easily) stripped down to guitars (often acoustic) or piano along with vocals. I listen to a lot of that, and when I first considered this thought experiment of narrowing my lifetime musical choices to just five, I was tempted to pull from this list only (well, maybe this list plus Counting Crows, a longtime favorite band who nearly fits this genre but is probably more considered Rock). That list would probably be (subject to daily changes of mind): Counting Crows, Indigo Girls, Marc Cohn, Matt Nathanson, and Mat Kearney. Wow, that’s hard to narrow!

But just when I think of how much I love those artists and how I would enjoy listening to their catalogues over and over, it strikes me how much Joy and inspiration I would be missing out on by sticking only to my favorite genre.

I love R & B! I am a sucker for the 80s and 90s slow jams from my favorites–Keith Sweat rules–but also love the stuff I can dance to. All of the family tree of New Edition–Bobby Brown, Ralph Tresvant, Johnny Gill, Bell Biv DeVoe–is amazing. But so many others, too: Luther Vandross, Johnny Gill, James Ingram, Keith Washington, Peabo Bryson, Hi-Five, Mary J. Blige, Alicia Keys, Ne-Yo, Guy, Babyface, Barry White, Janet Jackson, SWV, TLC, Boyz II Men, Deborah Cox, John Legend, and more. As much as it is paining me to think of leaving these artists out of the rest of my life, I cannot imagine leaving out the entire genre. I have to keep at least one for my five eternals. Right?

And that is just my second favorite genre! Could I ever do without Classical or Jazz Piano from the likes of Keith Jarrett? Could I survive without at least a little Hip-Hop flavor in my life? And Reggae? How could I narrow my lists down to just five artists and not have someone from these genres?

And then there are those few artists who aren’t necessarily in my categories but are amazing and possibly necessary for the list. Michael Jackson. Prince.

As I was thinking about this topic the other day, I walked into the house and found my wife jamming to a Beyoncé/Destiny’s Child mix in the kitchen. I couldn’t help but start dancing. It struck me: How could I live without this, something that I would never call my “favorite” because the songwriting doesn’t touch me but that is so catchy and fun that it makes me dance every time? Was Beyoncé a candidate for the list, too?

It might also be some kind of torture to be alive and not be able to listen to the singular songwriting of Bob Dylan, the golden voice of Patti LaBelle, the blues guitar of Buddy Guy, and other such unique talents. Mozart. Marvin Gaye. Al Green. Bruce Springsteen. Ray Charles. Willie Nelson. Wynton Marsalis. Shirley Caesar. John Prine. Bob Marley. U2. Jay-Z. Johnny Cash. Billie Holiday. The Beatles.

It is enough to make my mind explode! How could one possibly narrow all of this magic down to just five? And yet, that is the challenge. I am so drawn to these thought experiments because they are so darn difficult, could go any number of ways depending upon my mood, and are open to such thorough debate.

In this case, there is the internal debate about the grounds for choosing. Do you go with the five you seem to listen to most? That seems the most obvious and it’s what I did first. But it left me feeling starved for variety. But when I start thinking I should spread out my genres, I end up with too few of my absolute favorites. And with R & B, I deeply love the genre but don’t necessarily have one artist that demands inclusion. Then I try to compromise by combining, like, “Maybe Michael Jackson can satisfy my R & B fix with some of his songs, even though he is mostly Pop.” Then I try my last desperate ploy: “I will take New Edition if you let me include all of their solo careers that came after the band broke up, pretty please.” I’m going to pretend that plea/caveat was accepted! Then you have to consider if some of your possible choices have a big enough catalogue of music or if they are still young enough that they are going to keep putting out new music, which makes it more exciting.

So, what if I started by narrowing it? That might make it seem more manageable than trying to just pull five from the 76 artists (and counting) I have already mentioned. Okay, here we go, legitimate options……Matt Nathanson, Mat Kearney, Ryan Adams, Tracy Chapman, David Gray, Indigo Girls, Storyhill, The Decemberists, Joshua Radin, Marc Cohn, The Eagles, Bob Dylan, Joshua Kadison, Counting Crows, Keith Sweat, New Edition (and ensuing careers), Babyface, Keith Jarrett, George Winston, Michael Jackson, Prince, Bruce Springsteen, Bob Marley, The Beatles.

Okay, that’s 24. Not particularly helpful, but a start. It’s time to get tough. Next cut……Matt Nathanson, Mat Kearney, Tracy Chapman, David Gray, Indigo Girls, Joshua Radin, March Cohn, Bob Dylan, Counting Crows, New Edition, Keith Jarrett, Michael Jackson.

Alright, now we have definitely reached the painful point! Twelve would be much easier to keep than five! Okay, okay, I can do this (with teeth gritted)…..Mat Kearney, Indigo Girls, Marc Cohn, Counting Crows, New Edition.

Hooray! And sob. I love these selections; they represent so much of my history and memories, with still some music left to be made. That makes me happy. It’s sad, though, leaving out the great diversity of artists and genres that I love and that continue to shape me as I push every year to stretch my musical palate. It seems a great tragedy. To try to limit the infinite power of music is a crime. No wonder this exercise has been so difficult!

It is a good thing it is hypothetical. Still, I love this kind of challenge! Once I get going, I plunge in headfirst and take the process seriously to the end, fleshing out the finer points and multiple possibilities. After so many years of journaling, my brain seems to especially enjoy topics that are ambiguous and multi-faceted, full of intricacies and forks in the road. I am drawn to nuance, depth, and grey areas that beg to be understood more fully rather than just the black-and-white answers that we are so often fed by politicians and social media trolls. I think that is what so intrigued me about this topic of narrowing musical choices. I knew it would require a period of uncertainty, of not knowing exactly what I think, and that I would have to wade through those murky waters and linger in that discomfort until I could come up with, through my own process of analysis and ultimately trusting my own judgment, the answers that feel right to me.

So, in the end, this challenge was rewarding almost as much for the mental exercise as for the trip through my music collection and all of the brilliant artists that have blown my soul wide open through the years. Almost! Truth be told, I could just climb into my music collection and let my heart bubble over with Love. As my guy Matt Nathanson sings, “I feel invincible with my headphones on!”

How about you? How will you narrow your musical loves down to just five for the rest of your life? Open up your journal and your album collection and play your way through to clarity. Do you like these types of questions that, even though they aren’t “serious,” force you to dig deep to come up with the answers that best represent you and your loves? Do you tend to comment on them when someone poses a question like this on social media? If not, do you at least tend to make a list in your head? Do you scan the Comments for other people’s lists? It’s interesting, right? It gives us insights into people we may not get another way. How about this particular question? How keenly were you drawn to it when you first heard it? Did you instantly start thinking of your list? What were the first names that jumped to your mind? Were they artists that you have always listened to, or were they more recent additions to your collection? As you started to expand beyond your top couple and considered options for your final selections, how big did the list grow? Ten? Twenty? Fifty? What were the biggest factors you considered? The pure joy the artist’s music gives you? The memories tied to that artist’s music? The number of songs in their catalogue? How many albums they are likely to release in the future? How self-conscious did you get in the process? Did you feel yourself succumbing to considering how other people would react to certain selections, leaning toward artists who would give you more cachet with “music people” over less sophisticated artists who just make your heart sing more? Did you feel pressure to diversify your list when you saw what it might be? What was your Top 10? How did you get from there to five? How painful was it? Who were your five? When you read through it, how much Joy do you feel? Any regrets? How fun was it just to go through your collection? Isn’t music amazing? How could we ever limit it, even to our very favorites? Leave me a reply and let me know: How seriously can you take a hypothetical question about something you love?

Let your spirit sing,

William

P.S. If this got you thinking or made you smile, pass it on. The world needs more active minds and smiling faces!

P.P.S. If this way of questioning yourself invigorates you, check out my book Journal of YOU: Uncovering The Beauty That Is Your Truth at your favorite online retailers.

The Lyrics That Sing To My Soul

“I can’t remember all the times I tried to tell myself to hold on to these moments as they pass.” –Counting Crows, A Long December

Hello friend,

I love that lyric from A Long December by Adam Duritz, the lead singer of Counting Crows. As a natural chronicler of life events and someone who is drawn almost as much to depressing songs as to sappy love songs, those words jumped out of that song and into my soul the very first time I heard it. That is how amazing the right lyrics can be.

Honestly, that is how almost all of Adam Duritz’s words are for me. Even when his images are obscure and open to interpretation, they always seem to climb into me and be interpreted by my soul before my brain even becomes involved. From the moment I heard the Counting Crows’ first album, August and Everything After, I was mesmerized and truly shaken by the images and the sadness that it nestled into my heart. I could quote from any of the songs for examples, as they have taken turns as Most Favorite through the years as my life has changed and various live renditions have surfaced. But I will stick with my first love, Anna Begins, which is about trying to resist falling in love as it is overtaking him. There are individual lines that stand out on their own, like this gem: “These seconds when I’m shaking leave me shuddering for days,” she says. But, really, the whole thing is a masterpiece. As much as I hate to leave any words out, here are a couple of my favorite passages:

This time when kindness falls like rain, It washes me away.  And Anna begins to change my mind.  And every time she sneezes, I believe it’s love.  And I’m not ready for this sort of thing. 

She’s talking in her sleep.  It’s keeping me awake.  And Anna begins to toss and turn.  And every word is nonsense, but I understand.  And oh Lord, I’m not ready for this sort of thing.

I just love those beautiful words! I love the song, too, but I love the words most. These sad ones are from Raining In Baltimore on the same album:

There’s things I remember and things I forget.  I miss you; I guess that I should.  Three thousand five hundred miles away, but what would you change if you could?

I used to think it was obvious that a good song must have amazing lyrics. It turns out that is just not true. I have been combing through my music collection this week—the best research project ever—and I realized that sometimes the joy of a song is all about the sound of it and how that moves your mood. And though I am kind of artistically snobby about some things, I decided that those fun songs are awesome, too. So, while I wanted to find some genius lines in fun favorites like The Sound of Sunshine by Michael Franti or Let’s Get It On by Marvin Gaye, I took in their feeling just as well and found them brilliant.

But I love beautiful lyrics, so that is where I focused my search. I realized in the process that there are a few songwriters, like Adam Duritz, for whom I love just about every word that they write, making it hard to pull out individual lines or verses for fear of slighting the other words surrounding them.

One of those gems for me is Indigo Girls (I love them both, but Emily’s songs usually move me more than Amy’s). A few of my many favorites:

Each time you pulled down the driveway, I wasn’t sure when I would see you again.  Yours was a twisted, blind-sided highway, no matter which road you took then.  You set up your place in my thoughts, moved in and made my thinking crowded.  Now we’re out in the back with the barking dogs, my heart the red sun, your heart the moon clouded.  I could go crazy on a night like tonight, when Summer’s beginning to give up her fight, and every thought’s a possibility.  And voices are heard, but nothing is seen.  And why do you spend this time with me, maybe an equal mystery.  –Mystery

My friend Tanner, she says, “You know, me and Jesus we’re of the same heart.  The only thing that keeps us distant is that I keep f#*@in’ up!”   –Shame on You (to be sung at the top of my lungs with my sister)

I went to the doctors, I went to the mountain.  I looked to the children, I drank from the fountain.  There’s more than one answer to these questions pointing me in a crooked line.  The less I seek my source for some definitive, the closer I am to fine.  –Closer to Fine

And the Mississippi’s mighty, but it starts in Minnesota, at a place where you could walk across with five steps down.  And I guess that’s how you started, like a pinprick to my heart, but at this point you rush right through me and I start to drown.  –Ghost

One of the other things I realized in my joyous search was that I love songs that set a scene and tell me a story. A famous example of this is Billy Joel’s Piano Man, which begins:

It’s nine o’clock on a Saturday, the regular crowd shuffles in.  There’s an old man sittin’ next to me making love to his tonic and gin.  He says, “Son, can you play me a memory. I’m not really sure how it goes.  But it’s sad and it’s sweet, and I knew it complete when I wore a younger man’s clothes.” 

It just makes you want to hear the rest! This love of a story-song is what has always kept little-known Joshua Kadison on my list of all-time favorites. His “One-hit wonder” status comes from Jessie, which begins:

From a phone booth in Vegas, Jessie calls at five A.M., to tell me how she’s tired of all of them.  She says, “Baby, I‘ve been thinking about a trailer by the sea.  We could go to Mexico: you, the cat, and me.  We’ll drink tequila and look for seashells. Now, doesn’t that sound sweet?”  Oh, Jessie, you always do this every time I get back on my feet.

He has a lot of wonderful stories about old people, too, which I have always loved. These are some of his opening lines that draw me right in:

He tells her, “I want to paint you naked on a big brass bed, with bright orange poppies all around your head.”  And she says, “Crazy old man, I’m not young anymore.”  “That’s alright,” he whispers. “I’ve never painted before.”   —Painted Desert Serenade 

A cigarette burns itself out in a crushed up Coca Cola can ashtray.  In front of a busted up old mirror, Delilah Blue is checking out his tired sachet.   –Delilah Blue

Tangled in the sheets of a motel bed, Samantha paints her toenails cherry red.  She asks me if she can paint mine, too.  And I say, “Samantha, anything for you.”  –Beau’s All Night Radio Love Line

Neffertiti came out West in a stolen limousine, twenty dollars to her name and a walk like you ain’t never seen.  She moved into Number 8 with just a bottle in her hand, an old radio wrapped up in its cord, and no particular plan.  I watched her in the hallway, she blew me a little kiss, and said, “Hey baby, what’s a boy like you doing in a place like this?”  –Jus’ Like Brigitte Bardot

Marc Cohn is another one on my short list, a brilliant songwriter whose one hit is another story-song, Walking in Memphis. My favorite verse:

Now, Muriel plays piano every Friday at the Hollywood.  And they brought me down to see her, and they asked me if I would do a little number.  And I sang with all my might.  She said, “Tell me are you a Christian, child?”  And I said, “Ma’am, I am tonight!”

 Beyond the storytelling, I am also drawn to songs with social and moral messages embedded in them. A few favorite lines:

You may say I’m a dreamer, but I’m not the only one.  I hope someday you’ll join us, and the world will live as one.  –John Lennon, Imagine

 Emancipate yourself from mental slavery.  None but ourselves can free our minds.  Have no fear for atomic energy, ‘cause none of them are going to stop the time.  How long must they kill our prophets while we stand aside and look?  Some say it’s just a part of it: we’ve got to fulfill the book.  Won’t you help to sing these songs of freedom?  ‘Cause all I ever had: Redemption Songs.  —Bob Marley, Redemption Song 

Come on, people now, smile on each other.  Everybody get together.  Try to love one another right now.   —Chet Powers (The Youngbloods), Get Together 

I’m starting with the man in the mirror.  I’m asking him to change his ways.  And no message could have been any clearer: if you want to make the world a better place, take a look at yourself and make a change.   –Michael Jackson, Man In The Mirror 

And of course, as I mentioned, I am a sucker for love songs, from sappy to tragic and everything in between. I have already mentioned a handful, but here are some other lines that get inside of me:

If you find yourself lost out in this world, then I’ll find a way to get back to your side.  No mountain’s too high, no stone is too small.  I’ll build a bridge through the fire; for you I would crawl, from New York to California.  –Mat Kearney, New York to California 

Tonight our bed is cold.  I’m lost in the darkness of our love.  God have mercy on the man who doubts what he’s sure of.   –Bruce Springsteen, Brilliant Disguise 

Tell the repo man and the stars above: You’re the one I love.  –David Gray, The One I Love 

The time between meeting and finally leaving is sometimes called falling in love.  –Lisa Loeb, Falling In Love 

There are way too many love songs.  I think they’ve got it all wrong.  ‘Cause life is not the mountaintops; it’s the walking in between.  –Ben Rector, I Like You 

What do I do to make you want me?  What have I got to do to be heard?  What do I say when it’s all over, and “Sorry” seems to be the hardest word?  –Elton John/Bernie Taupin, Sorry Seems To Be The Hardest Word 

I’ll let you be in my dreams if I can be in yours.  –Bob Dylan, Talkin’ World War III Blues 

I wanna have friends that I can trust, that love me for the man I’ve become not the man that I was.  I want to have friends who will let me be all alone when being alone is all that I need.  –The Avett Brothers, The Perfect Space 

You got a fast car.  Is it fast enough so we can fly away?  We gotta make a decision: leave tonight or live and die this way.  –Tracy Chapman, Fast Car 

Together again, it would feel so good to be in your arms, where all my journeys end.  If you can make a promise, if it’s one that you can keep, I vow to come for you, if you wait for me.  –Tracy Chapman, The Promise (This was in my wedding.)

All you need is love.  –John Lennon, All You Need Is Love 

I could go on like this all day! There are a million more songs and verses I would love to share with you. I LOOOOOVE music!!! However, instead of giving you more lyrics, I will close with two quotes from my favorite movie about music, Almost Famous. The first is from Band-Aid (groupie) Sapphire: “They don’t even know what it is to be a fan. Y’know? To truly love some silly little piece of music, or some band, so much that it hurts.” And finally, from music critic Lester Bangs: “Music, you know, true music, not just rock ‘n’ roll—it chooses you. It lives in your car, or alone, listening to your headphones—you know, with the vast, scenic bridges and angelic choirs in your brain.” That’s how I feel, too.

How about you? What are the lyrics that have chosen you? Open up your journal and your music catalog. As you peruse your CDs or your iTunes account or whatever, what jumps out at you? Find favorites whose lyrics have climbed down into your soul and taken root. Do you have any artists that can basically do no wrong when it comes to songwriting, like my Adam Duritz or Indigo Girls? What is it about their words that attaches to you so organically? Do you find yourself more drawn to certain types of songs, or is it all over the board? What are your favorite story-songs? Feel-good songs? Songs with a social or moral message? What about love songs? Do you like the straightforward, sappiest love songs, or do you like the more subtle, not-so-obvious lyrics (for me, Anna Begins fits the latter category, whereas Marc Cohn’s True Companion, which I also love and was in my wedding, is the former)? How much do the lyrics matter to you, anyway? Are they just icing on the cake of a great sound, or are they an essential piece if that song is going to be one of your favorites? What are some of your favorites with weak lyrics? What about the reverse: which songs have amazing lyrics but not a great sound? Which ones have the best of both? How much do you love music? Leave me a reply and let me know: What are the songs of your soul?

Be swept away with Gratitude,

William

P.S. If today’s letter resonated with you, please share it with someone who will appreciate it. I love sharing music!

The One-Day Challenge: A Trial Run at Being Your Best

DSC_0556“Act the way you’d like to be and soon you’ll be the way you’d like to act.” –Bob Dylan

Hello friend,

A lifetime ago—or so it feels—I was an actor. I took some classes in which I would perform scenes from plays or movies for my teacher and classmates: one day I was a troubled teenager, the next day Hamlet, then a nitwit soldier, a stuffy artist, an insecure thespian, and on and on. It was fantastic! I got a wonderful charge out of stepping outside of myself for a moment and trying on someone else’s personality. It was enormously liberating. It was also very educational. I learned a lot about how it felt to have characteristics that I don’t really have, or at least that aren’t dominant in my personality. And even though some of those traits may have rubbed off on me a bit and leaked into my daily life temporarily after the play or class was finished, without repetition over the long haul, it became clear that this this tiger doesn’t change his stripes too easily.

Over the last week or so, I have been reading two books that have me quite captivated and, I dare say, feeling an urge to make a change. The first book is my fourth journal, written in late 1997 and early 1998. The dates that I have been reading lately cover a sort of spiritual zenith for me, a time of extreme bliss and near-communion with the Divine. I was in a zone of amazing peace, and reading about it now is a real education for me. The other book, which I am about halfway through, is Roland Merullo’s Dinner With Buddha. The story takes us on a roadtrip across the Great Plains and Rocky Mountains with a Buddhist master and his brother-in-law, a middle-aged New Yorker who narrates the journey and shares the insights he gains as he tiptoes between the two worlds of his own jaded, worrying nature and the peaceful, present-centered nature of his companion. I am fascinated by the way the narrator envies the mind of the master and how he battles with his own natural cynicism about the world, pondering whether he could actually achieve such mindfulness himself. I have had my own longings in this direction over the years, so it resonates deeply with me.

So, what does my acting experience have to do with my blissful, 25-year-old self and roadtripping with a Buddhist master? Answer: they remind me that there is always a chance to try to be something different today than I was yesterday. Something better. Little habits of the mind—thought patterns—could shift and, in the process, change my entire life.

After all, as happy as I am now, I am well aware that I could be much more so. I don’t have to look beyond my own history for a good example. I look back to those days of my fourth journal, and I see a guy whose mind was beautiful. I was in such a state of Peace and Gratitude. I can see from the daily entries that it was about the lenses that I viewed the world through—my thought habits—and the little things that I did. I certainly wasn’t doing anything cool and exciting that an outsider might take notice of and copy. Quite the opposite: it was an extremely simple, uneventful existence.

There are, no doubt a few more complications in my life these days—a wife, kids, bills, etc.—compared to those fourth journal days. I cannot just set those aside. There are also no acting classes or plays that give me a free pass to escape myself and pretend I am the guy who has it all together and knows that same deep Peace I once knew.

There are, however, the lessons from both of those eras, if only I am open to them. And there are books, like Dinner With Buddha, that serve to remind me that there is always an opportunity to learn, to kick old habits, to think a little differently, to transform myself into a better me.

These books and memories have stirred me up. They have me thinking I need to make some changes. I want to feel more of those better parts of me. I want to know that deeper connection to the Divine again, to feel that sublime Peace more frequently.

But, since my life is hectic, and since I have come to better recognize the pitfalls of committing 100% to huge lifestyle changes all at once, I have come up with something more modest. I figure if I can just dip my toe into the deep current of self-improvement rather than diving in headfirst, maybe I would be more likely to feel some success and thus stick with it longer. Success breeds conviction, right? So, instead of signing up for a 30-day yoga course or committing to reading all of my books on spirituality again, I am going the other way.

I am calling it “The One-Day Challenge.” Catchy, eh? The idea is to act like your best self—and think like it—for an entire day. It doesn’t mean you have to apply for medical school or announce you are quitting your job—or even go skydiving or knocking off some major bucket list items—but just take on the mindset and the manners of the version of you that you long to be.

For me, I suppose that would mean being more quick to offer a smile to the people I pass (e.g. at the gym) and more willing to strike up a conversation with an intriguing stranger. I am usually so short and eyes down that I squash any interaction before it has a chance to develop. I know that I miss out because of that. I might also send a few personal notes of greeting or encouragement to loved ones. I am terrible at keeping in touch—this year more than ever, it seems—and it would make me feel better to shore up the most important ties that bind. I would also be a little more openly kind and attentive to my wife, who often gets the short end of my focus in favor of the kids.

But mostly–and this comes straight from the two books I have been reading—I would just try to stay completely in the moment. I would give up worrying about the future, especially tying my emotions to it. If I have to do some planning (e.g. at work), I will do it without getting stressed out about what might come. Staying present, taking my time, enjoying my company, breathing—those are the key elements to my success at The One-Day Challenge. If I could combine them with being more open and affectionate, sprinkling on a touch of bravery, my recipe would be complete.

Of course, I would like to say I am committing to being all of that every day at full capacity forever, but that would doom me to failure. But how about for a day? I could start with that. It is realistic. And who knows where it might lead? I am game! Improvement is not such a bad thing to aim for. I have certainly had less productive challenges. I am grateful for the opportunity to try, and grateful for the benefits that will undoubtedly stem from the attempt. It’s all good to me!

How about you? Are you up for The One-Day Challenge? Open up your journal and knock around some ideas that you might aim at for one focused day. How does the “Better You” think compared to how you normally think now? Is the Better You more kind? More patient? More focused? More generous with praise? More (or less) ambitious? More playful? More present? More honest? More open? More loving? More forgiving? More optimistic? What else? All of these characteristics might sound appealing in theory, but how many of them could you reasonably shoot for in your One-Day Challenge? One or two, maybe? Even though I tend to get greedy and want to improve in all of these areas at once, if I am being honest with myself, I think just trying to be completely present for a whole day would be more than enough of a challenge for me. And really, that one task might just take care of most of the others without even thinking about them. That is how valuable mindfulness is to me. What is your big one? Are you like me and had a pretty good grasp of it once but then let it slip away, or have you never had the thing you are aiming for? Are there so many things on your list that you could easily pick one per day and do, say, ten One-Day Challenges? That might be kind of fun! You could really try to see which ones stick and which continue to be elusive. Do you believe a person can change her life by changing her mind? Do you believe YOU can do it? Do you want to? Leave me a reply and let me know: Are you up for The One-Day Challenge?

Claim your power,

William

P.S. If you think there might be something to this challenge, share it with a friend. Challenges are usually better with a support system, whether that is a cheerleader or someone who is willing to do it alongside you. Good luck and blessed be.

My Favorite Quotes: The Words That Remind Me What Matters Most

fontcandy“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.”–Henry David Thoreau, Walden

Hello friend,

Twenty years ago, when I first opened Thoreau’s Walden, little did I know that my life would never be the same. My mind had just begun to open to new messages, and Thoreau came in and absolutely blew the roof off the place. I had found my soul-mate! I was mesmerized by every last word, reading each passage over before moving on to make sure I absorbed it completely. It was as if he as writing directly to me, or, more accurately, writing right out of my own head. I wanted to highlight every paragraph, to quote every line. Some of my favorites:

“I learned this, at least, by my experiment; that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours.”

“Why should we be in such desperate haste to succeed and in such desperate enterprises? If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.”

“If I were confined to a corner of a garret all my days, like a spider, the world would be just as large to me while I had my thoughts about me.”

“It is life near the bone where it is sweetest.”

“Rather than love, than money, than fame, give me truth.”

“To affect the quality of the day, that is the highest of arts.”

“I wanted to live deep and suck out all the marrow of life…”

“I love to be alone. I never found the companion that was so companionable as solitude.”

“Sell your clothes and keep your thoughts.”

“Go confidently in the direction of your dreams. Live the life you have imagined.”

Oh, I could go on and on! That book just melted into my soul. I tingled all over as those magical lines burned themselves into my brain, where I would draw on them many times in all the years that have followed. Beautiful words from beautiful minds have that way about them.

Over the course of my life, the three historical characters that I have gravitated towards most are Thoreau, Mohandas “Mahatma” Gandhi, and Martin Luther King, Jr.. I have been captivated by their writings, their speeches, and the lives they led. When I try to come up with my favorite quotes from them, it is very difficult, as nearly everything on record is compelling to me.

With Gandhi, if you forced me to pick two, I might pick the simplest ones, both of which spoke to the way he led. The first is, “Be the change that you wish to see in the world.” The second echoes that sentiment. While visiting Bengal, a reporter asked him, “Do you have a message for the people of India?” His response: “My life is my message.” Oh, if we could all live up to that, just imagine our greatness!

With Dr. King, it is perhaps even more difficult to pin down a couple of favorites. One of them that has inspired me often with Journal of You, particularly when I have debated whether to write about a controversial or revealing topic—God, politics, sexuality, to name a few–is this challenge to the soul: “Our lives begin to end the day we become silent about things that matter.” That one slays my fears every time.

A good quotation is unbelievably powerful. It strikes you right at your core, making your hairs stand on end or unleashing sudden tears or smiles or knowing nods. Some of the ones that hit me at my foundation are about simple life lessons that I need to be reminded of:

“The unexamined life is not worth living.” –Socrates

“Be yourself; everyone else is already taken.” –Oscar Wilde

“We are what we repeatedly do. Excellence, therefore, is not an act but a habit.” –Aristotle

“Change your thoughts and you change your world.” –Norman Vincent Peale

“You never fail until you stop trying.” –Albert Einstein

“I cried because I had no shoes until I met a man who had no feet.” –Persian saying

“Peace is every step.” –Thich Nhat Hanh

“Yesterday is history, tomorrow is a mystery, today is a gift of God, which is why we call it the present.” –Bill Keane (and others)

“What lies behind us and what lies before us are tiny matters compared to what lies within us.” –Ralph Waldo Emerson

“Life isn’t about finding yourself. Life is about creating yourself.” –George Bernard Shaw

“The great dividing line between success and failure can be expressed in five words: I did not have time.” –Anonymous

“If not now, when? If not you, who?” –Hillel the Elder 

All of these hit home for me in slightly different ways. They are the little reminders that I need to stay clear about how to navigate this world successfully. They are the random–but pure gold–nuggets of wisdom. I love them individually.

On the other hand, I find that there is one category of quotations that I am drawn to most, one topic from which I can easily churn out a big list of favorites. My soul-stingers are the ones that remind me to seize the day and follow the calling of my heart unflinchingly. They can be summarized by three words from the great Joseph Campbell: “Follow your Bliss.” Here are some of the others in my “Follow your Bliss/This is Not a Dress Rehearsal” category:

“One day you will wake up and there won’t be any more time to do the things you’ve always wanted. Do it now.” –Paulo Coelho

“Only those who will risk going too far can possibly find out how far one can go.” –T.S. Eliot

“I am here to live out loud.” –Émile Zola

“If you want something you’ve never had, you must be willing to do something you’ve never done.” —Thomas Jefferson

“If your dreams don’t scare you, they aren’t big enough!” —Ellen Johnson Sirleaf

“Be fearless in the pursuit of what sets your soul on fire.” –A favorite Pinterest meme

“Leap and the net will appear.” –John Burroughs

“It is never too late to be what you might have been.” –George Eliot

“Always do what you are afraid to do.” –Ralph Waldo Emerson

“The future belongs to those who believe in the beauty of their dreams.” –Eleanor Roosevelt

“All we have to decide is what to do with the time that is given us.” –J.R.R. Tolkien, The Fellowship of the Ring 

“When you feel in your gut what you are and then dynamically pursue it—don’t back down and don’t give up—then you’re going to mystify a lot of folks.” –Bob Dylan

“There came a time when the risk to remain tight in a bud was more painful than the risk it took to blossom.” –Anaïs Nin

“You know, we can’t get out of life alive! We can either die in the bleachers or die on the field. We might as well come down on the field and go for it!” –Les Brown

“Don’t die with your music still in you.” –Wayne Dyer (A spin on Thoreau’s line from Civil Disobedience and Other Essays: “Most men lead lives of quiet desperation and go to the grave with the song still in them.”)

These are like zingers right into my heart. I get that surge of adrenaline and clarity whenever I read them. I think that says a lot about what drives me, what is in my soul’s code. These words have magical powers. They are the wind that fills my sails. When I read them, I think they were written just for me. That is the essence of a favorite quote. I do love them so.

How about you? What are your favorite quotations? Open up your journal and start your own list. Is there one particular writer or speaker, like my Thoreau, whose phrases are burned upon your heart more than others? I think most of us just know our favorites when we see them, but are there any quotes that you recite frequently from memory? Are your favorites from all over the map, or do they tend to fall into a certain category, such as love, change, happiness, humor, motivation, family, leadership, or success? Why do you think you gravitate toward that topic? When you come across a quotation that strikes you at your core, what do you do about it? Do you see it as a message that was meant for you and allow it to direct your course of action, or do you dismiss it as mere chance and move on? Now that you have been creating your list, do you feel inclined to post it somewhere, or at least keep it in a notebook that you will open occasionally for a positive reminder? Which ones are your absolute favorites? Leave me a reply and let me know: Which words are yours to live by?

Do your best today,

William

P.S. If our search for quotes stirred your heart and mind a bit today, share it with your world. We could all use a little stirring!

Do You Dare to Bare?

IMG_1184“I think of myself as an intelligent, sensitive human being with the soul of a clown which always forces me to blow it at the most important moments.”  –Jim Morrison

Hello friend,

My 3-year-old told me today, “Well, you don’t have to keep telling me that you love me all the time, Daddy, because I already know that.”  He knows everything. I responded, “Yeah, but that is how I really feel right now, so I am telling you.”  I bet that I tell my kids “I love you” 50 times a day.  Each!  I smother them with hugs and kisses.  My emotions are right on my sleeve.  Thankfully, they are positive ones.  I am trying to keep it real with them.  I want them to know just how much I love them.  But more than that, I am also trying to be an example to them about emotional honesty. I want them to feel confident in telling their Truth, to not shy away from their emotions.

We teach what we most need to learn. I wish I was a good example about owning my feelings and sharing them honestly. I want to be. But I have to admit that it is something I have always struggled with. Like the Jim Morrison quote above, my sensitivity has often gotten so squashed in trying to put on a tough, polished exterior that I have really blown it in some important moments. In trying to minimize and put a shine on my real emotions, I have come off blunt, even callous. I have gotten in my own way.

“But I was so much older then. I’m younger than that now.” So says Bob Dylan, and I hope I am becoming that way, too. Kids are such good examples of honesty. Their emotions are like mercury, changing drastically with the conditions from moment to moment. When they go from crying one minute to laughing the next, most of us jaded parents take that to mean they were faking the crying part. Though I don’t discount that entirely, I think it is actually more that they are so completely in the moment that they can move beyond the source of their tears instantaneously. Unlike us adults, they don’t work so hard to hold grudges. They get it out—honestly and completely—and move on. It is really these transparent kids that are the wise ones in this world. When we become “mature” and “control our emotions”, the unfortunate side effect is often that we hide from our Truth and squash down feelings that must be felt lest they destroy us (through addictions and chronic, mind-numbing activities like television). I have been that old. I want to be young again!

Yes, I have been one of the many bottled-up people in this world. Why do we do it, though? Why do we chicken out? Why do we lack the courage to own our feelings and express them—to tell our Truth—especially to those we love the most? Just this afternoon I was thinking about my great-uncle Lloyd, whom I have always thought of as the most kind-hearted man I have ever known. I was thinking of how grateful I am that he has been in my life and how I hope that I can be that kind of man for the rest of my life (he is about to be 89). It hit me: I have to write him a letter and tell him so! Yeah for me, right? But as I sit here writing to you about this idea of emotional honesty, I can’t help but feel a little cowardly that the only way I dare tell this hero of mine how much he means to me is by writing him a letter. I cannot tell him to his face.

I know how I am (or how I have been?). I would freeze up if I tried to tell him. I would take any sign of awkwardness from him as an excuse to clam up and not finish my thought, not tell my Truth. “I don’t want to make him uncomfortable” or “He doesn’t like to show emotion, so I won’t”. These are just crutches for me, reasons to avoid owning who I really am. The other one—I use this one to avoid honest conversations with my Dad—is “Oh, he knows how I feel.” But that assumes a lot. What if he doesn’t know? What if he thinks my silence means what I used to think his silence meant? What if he goes to the grave thinking that?

I think it is this reason—the brevity of life and the suddenness of its end—that has helped me improve over the years at sharing my emotions honestly. I just don’t want people to leave my life without knowing how much they mean to me. And it isn’t just the shortness of other people’s lives that concern me anymore; it is also my own duration. I am keenly aware that I could go any time, so I am trying to seize every moment, “to live deep and suck out all the marrow of life,” as Thoreau says. That includes building rich, authentic relationships, which requires me to own my feelings. It also includes not denying myself the simple pleasure of telling my Truth.

Telling my Truth, I have found, is wonderfully liberating. I now see those chances to tell it as little “dares”—as in, “I dare you!”—to jump at rather than shy away from, as I always used to. The dare excites me now. Each time I seize it, I become more confident, more comfortable in my own skin, and thus more willing to share my emotions—my Truth—the next time. It is a healthy snow-balling effect.

I also think that it becomes easier to own my feelings and live out loud as I care less and less about what others think of me (see Bob Dylan above; I am becoming younger). The less I look to the outside for validation and instead seek within, the more willing I am to share my emotions and my Truth. Who I am, it turns out, is enough, and I care not for the company of those who think otherwise. So, even as I write this I get more resolved to share my emotions even more freely. It may mean writing it down for awhile—sending that letter to Uncle Lloyd will still feel good—but I will do better with the face-to-face someday, too. Eventually, I will probably become that old guy who—tactfully, I hope–holds nothing back and makes people uncomfortable with his honesty. I admire that guy.

How about you? How bottled-up are you? Open up your journal and start telling your Truth. Tell yourself first. How do you feel about you? Be honest with yourself, and don’t judge your feelings as they come. Just let them flow along with the words, unfiltered. This is when writing is at its best: when you let yourself go. Have you told the people closest to you how much they mean to you? If not, what is stopping you? Try to make the answer something about you, not about them. The part you can control is yours. Pick a person and write out how you feel about them. Do you dare say the words to them face-to-face? If not, how about writing a letter? You already wrote out your feelings; why not just send it? I dare you! Go down the list of your loved ones. Who deserves to know your Truth? Who haven’t you told? The answer to those two questions—and the gap between them—is your challenge laid out before you. Do you accept it? Leave me a reply and let me know: Do you dare to bare?

You are enough just as you are,

William