Tag Archives: Bob Marley

A Life Sentence In Music: Choosing Your Only 5 Bands For Eternity

“To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.” –Aaron Copland

“People haven’t always been there for me but music always has.” –Taylor Swift

Hello friend,

I have had this question rolling around in my head for months. Months! Typically, if I get a question in my head, I do a little journaling and it works itself out. For some reason, though, I have not followed that path with this one, and it has most definitely NOT worked itself out. So, I write to you today not to share with you what I have worked out, but more to marvel at the process of working it out and how difficult (impossible?) some topics are to nail down and how likely they are to change at the very moment you think you have the answer.

It all started, as most troubles do, with a friend’s Facebook post. I love those people who post great questions that you cannot resist answering in the Comments or, even if you don’t have an answer on the top of your mind, you can’t resist looking at everyone else’s answers. He put one like that on there this week, too: something like, “What are your top five favorite movies, all genres included?” I took that question so seriously that I couldn’t put my answer down immediately because it required deep consideration, so I adjusted my settings so it showed me notifications any time someone commented on it (I love movies, and I love opinions even more!).

Anyway, the question he asked that night a few months ago that has been trailing me ever since is, “If you could only listen to five bands/musicians for the rest of your life, who would you choose?” I was stricken instantly by the difficulty of it. Even as I read my friend’s choices and the lists of the first few people who had already commented–evidence that it could obviously be done–I was overcome by the enormity of the challenge posed. It seemed a question as big as The Meaning of Life. An absolute stumper. As often as I have thought of it since then–almost daily–it remains just that to me.

You see, I am in love with music. It captivates my soul and moves me in a million beautiful ways. I am completely in agreement with the great philosopher Friedrich Nietzsche, who proclaimed, “Without music, life would be a mistake.” In the past decade of my life–ten years defined almost exclusively by heavily involved parenthood–I have often lamented that, for all of the magic and delight that my dotingly attentive Dadding has gifted me with, what it has kept me from is tons of hours under the cover of my big headphones, lost in the sway of this Divine language called Music. You don’t get that luxury when you are listening for babies crying or big kids squabbling. But oh, what a luxury! And there is so much of it filling so many different genres, each magnificent in its own way.

I find pleasure in a wide array of styles: Folk, R & B, Rock ‘n’ Roll, Classical, Blues, Reggae, Hip-Hop, Pop, Jazz, Broadway, Soul, Country (well, a few select old-timers, anyway), New Age, Gospel, Motown, and more.

I am not exactly sure what the proper name of the genre I listen to most is. To myself, I call it “Singer-Songwriter Music.” It is probably easier identified by the names of some of my favorites in that category: Matt Nathanson, Mat Kearney, Glen Hansard, Ryan Adams, Tracy Chapman, Indigo Girls, David Gray, Ben Rector, Ben Folds, Storyhill, Brenda Weiler, Ray Lamontagne, The Decemberists, Natalie Merchant, Joshua Radin, Marc Cohn, Amos Lee, The Avett Brothers, Mumford & Sons, The Eagles, Bob Dylan, Jakob Dylan, Neil Young, Van Morrison, Bruce Hornsby, Five For Fighting, John Mayer, Jack Johnson, and Joshua Kadison. Basically, it is music that is mostly (or easily) stripped down to guitars (often acoustic) or piano along with vocals. I listen to a lot of that, and when I first considered this thought experiment of narrowing my lifetime musical choices to just five, I was tempted to pull from this list only (well, maybe this list plus Counting Crows, a longtime favorite band who nearly fits this genre but is probably more considered Rock). That list would probably be (subject to daily changes of mind): Counting Crows, Indigo Girls, Marc Cohn, Matt Nathanson, and Mat Kearney. Wow, that’s hard to narrow!

But just when I think of how much I love those artists and how I would enjoy listening to their catalogues over and over, it strikes me how much Joy and inspiration I would be missing out on by sticking only to my favorite genre.

I love R & B! I am a sucker for the 80s and 90s slow jams from my favorites–Keith Sweat rules–but also love the stuff I can dance to. All of the family tree of New Edition–Bobby Brown, Ralph Tresvant, Johnny Gill, Bell Biv DeVoe–is amazing. But so many others, too: Luther Vandross, Johnny Gill, James Ingram, Keith Washington, Peabo Bryson, Hi-Five, Mary J. Blige, Alicia Keys, Ne-Yo, Guy, Babyface, Barry White, Janet Jackson, SWV, TLC, Boyz II Men, Deborah Cox, John Legend, and more. As much as it is paining me to think of leaving these artists out of the rest of my life, I cannot imagine leaving out the entire genre. I have to keep at least one for my five eternals. Right?

And that is just my second favorite genre! Could I ever do without Classical or Jazz Piano from the likes of Keith Jarrett? Could I survive without at least a little Hip-Hop flavor in my life? And Reggae? How could I narrow my lists down to just five artists and not have someone from these genres?

And then there are those few artists who aren’t necessarily in my categories but are amazing and possibly necessary for the list. Michael Jackson. Prince.

As I was thinking about this topic the other day, I walked into the house and found my wife jamming to a Beyoncé/Destiny’s Child mix in the kitchen. I couldn’t help but start dancing. It struck me: How could I live without this, something that I would never call my “favorite” because the songwriting doesn’t touch me but that is so catchy and fun that it makes me dance every time? Was Beyoncé a candidate for the list, too?

It might also be some kind of torture to be alive and not be able to listen to the singular songwriting of Bob Dylan, the golden voice of Patti LaBelle, the blues guitar of Buddy Guy, and other such unique talents. Mozart. Marvin Gaye. Al Green. Bruce Springsteen. Ray Charles. Willie Nelson. Wynton Marsalis. Shirley Caesar. John Prine. Bob Marley. U2. Jay-Z. Johnny Cash. Billie Holiday. The Beatles.

It is enough to make my mind explode! How could one possibly narrow all of this magic down to just five? And yet, that is the challenge. I am so drawn to these thought experiments because they are so darn difficult, could go any number of ways depending upon my mood, and are open to such thorough debate.

In this case, there is the internal debate about the grounds for choosing. Do you go with the five you seem to listen to most? That seems the most obvious and it’s what I did first. But it left me feeling starved for variety. But when I start thinking I should spread out my genres, I end up with too few of my absolute favorites. And with R & B, I deeply love the genre but don’t necessarily have one artist that demands inclusion. Then I try to compromise by combining, like, “Maybe Michael Jackson can satisfy my R & B fix with some of his songs, even though he is mostly Pop.” Then I try my last desperate ploy: “I will take New Edition if you let me include all of their solo careers that came after the band broke up, pretty please.” I’m going to pretend that plea/caveat was accepted! Then you have to consider if some of your possible choices have a big enough catalogue of music or if they are still young enough that they are going to keep putting out new music, which makes it more exciting.

So, what if I started by narrowing it? That might make it seem more manageable than trying to just pull five from the 76 artists (and counting) I have already mentioned. Okay, here we go, legitimate options……Matt Nathanson, Mat Kearney, Ryan Adams, Tracy Chapman, David Gray, Indigo Girls, Storyhill, The Decemberists, Joshua Radin, Marc Cohn, The Eagles, Bob Dylan, Joshua Kadison, Counting Crows, Keith Sweat, New Edition (and ensuing careers), Babyface, Keith Jarrett, George Winston, Michael Jackson, Prince, Bruce Springsteen, Bob Marley, The Beatles.

Okay, that’s 24. Not particularly helpful, but a start. It’s time to get tough. Next cut……Matt Nathanson, Mat Kearney, Tracy Chapman, David Gray, Indigo Girls, Joshua Radin, March Cohn, Bob Dylan, Counting Crows, New Edition, Keith Jarrett, Michael Jackson.

Alright, now we have definitely reached the painful point! Twelve would be much easier to keep than five! Okay, okay, I can do this (with teeth gritted)…..Mat Kearney, Indigo Girls, Marc Cohn, Counting Crows, New Edition.

Hooray! And sob. I love these selections; they represent so much of my history and memories, with still some music left to be made. That makes me happy. It’s sad, though, leaving out the great diversity of artists and genres that I love and that continue to shape me as I push every year to stretch my musical palate. It seems a great tragedy. To try to limit the infinite power of music is a crime. No wonder this exercise has been so difficult!

It is a good thing it is hypothetical. Still, I love this kind of challenge! Once I get going, I plunge in headfirst and take the process seriously to the end, fleshing out the finer points and multiple possibilities. After so many years of journaling, my brain seems to especially enjoy topics that are ambiguous and multi-faceted, full of intricacies and forks in the road. I am drawn to nuance, depth, and grey areas that beg to be understood more fully rather than just the black-and-white answers that we are so often fed by politicians and social media trolls. I think that is what so intrigued me about this topic of narrowing musical choices. I knew it would require a period of uncertainty, of not knowing exactly what I think, and that I would have to wade through those murky waters and linger in that discomfort until I could come up with, through my own process of analysis and ultimately trusting my own judgment, the answers that feel right to me.

So, in the end, this challenge was rewarding almost as much for the mental exercise as for the trip through my music collection and all of the brilliant artists that have blown my soul wide open through the years. Almost! Truth be told, I could just climb into my music collection and let my heart bubble over with Love. As my guy Matt Nathanson sings, “I feel invincible with my headphones on!”

How about you? How will you narrow your musical loves down to just five for the rest of your life? Open up your journal and your album collection and play your way through to clarity. Do you like these types of questions that, even though they aren’t “serious,” force you to dig deep to come up with the answers that best represent you and your loves? Do you tend to comment on them when someone poses a question like this on social media? If not, do you at least tend to make a list in your head? Do you scan the Comments for other people’s lists? It’s interesting, right? It gives us insights into people we may not get another way. How about this particular question? How keenly were you drawn to it when you first heard it? Did you instantly start thinking of your list? What were the first names that jumped to your mind? Were they artists that you have always listened to, or were they more recent additions to your collection? As you started to expand beyond your top couple and considered options for your final selections, how big did the list grow? Ten? Twenty? Fifty? What were the biggest factors you considered? The pure joy the artist’s music gives you? The memories tied to that artist’s music? The number of songs in their catalogue? How many albums they are likely to release in the future? How self-conscious did you get in the process? Did you feel yourself succumbing to considering how other people would react to certain selections, leaning toward artists who would give you more cachet with “music people” over less sophisticated artists who just make your heart sing more? Did you feel pressure to diversify your list when you saw what it might be? What was your Top 10? How did you get from there to five? How painful was it? Who were your five? When you read through it, how much Joy do you feel? Any regrets? How fun was it just to go through your collection? Isn’t music amazing? How could we ever limit it, even to our very favorites? Leave me a reply and let me know: How seriously can you take a hypothetical question about something you love?

Let your spirit sing,

William

P.S. If this got you thinking or made you smile, pass it on. The world needs more active minds and smiling faces!

P.P.S. If this way of questioning yourself invigorates you, check out my book Journal of YOU: Uncovering The Beauty That Is Your Truth at your favorite online retailers.

The Lyrics That Sing To My Soul

“I can’t remember all the times I tried to tell myself to hold on to these moments as they pass.” –Counting Crows, A Long December

Hello friend,

I love that lyric from A Long December by Adam Duritz, the lead singer of Counting Crows. As a natural chronicler of life events and someone who is drawn almost as much to depressing songs as to sappy love songs, those words jumped out of that song and into my soul the very first time I heard it. That is how amazing the right lyrics can be.

Honestly, that is how almost all of Adam Duritz’s words are for me. Even when his images are obscure and open to interpretation, they always seem to climb into me and be interpreted by my soul before my brain even becomes involved. From the moment I heard the Counting Crows’ first album, August and Everything After, I was mesmerized and truly shaken by the images and the sadness that it nestled into my heart. I could quote from any of the songs for examples, as they have taken turns as Most Favorite through the years as my life has changed and various live renditions have surfaced. But I will stick with my first love, Anna Begins, which is about trying to resist falling in love as it is overtaking him. There are individual lines that stand out on their own, like this gem: “These seconds when I’m shaking leave me shuddering for days,” she says. But, really, the whole thing is a masterpiece. As much as I hate to leave any words out, here are a couple of my favorite passages:

This time when kindness falls like rain, It washes me away.  And Anna begins to change my mind.  And every time she sneezes, I believe it’s love.  And I’m not ready for this sort of thing. 

She’s talking in her sleep.  It’s keeping me awake.  And Anna begins to toss and turn.  And every word is nonsense, but I understand.  And oh Lord, I’m not ready for this sort of thing.

I just love those beautiful words! I love the song, too, but I love the words most. These sad ones are from Raining In Baltimore on the same album:

There’s things I remember and things I forget.  I miss you; I guess that I should.  Three thousand five hundred miles away, but what would you change if you could?

I used to think it was obvious that a good song must have amazing lyrics. It turns out that is just not true. I have been combing through my music collection this week—the best research project ever—and I realized that sometimes the joy of a song is all about the sound of it and how that moves your mood. And though I am kind of artistically snobby about some things, I decided that those fun songs are awesome, too. So, while I wanted to find some genius lines in fun favorites like The Sound of Sunshine by Michael Franti or Let’s Get It On by Marvin Gaye, I took in their feeling just as well and found them brilliant.

But I love beautiful lyrics, so that is where I focused my search. I realized in the process that there are a few songwriters, like Adam Duritz, for whom I love just about every word that they write, making it hard to pull out individual lines or verses for fear of slighting the other words surrounding them.

One of those gems for me is Indigo Girls (I love them both, but Emily’s songs usually move me more than Amy’s). A few of my many favorites:

Each time you pulled down the driveway, I wasn’t sure when I would see you again.  Yours was a twisted, blind-sided highway, no matter which road you took then.  You set up your place in my thoughts, moved in and made my thinking crowded.  Now we’re out in the back with the barking dogs, my heart the red sun, your heart the moon clouded.  I could go crazy on a night like tonight, when Summer’s beginning to give up her fight, and every thought’s a possibility.  And voices are heard, but nothing is seen.  And why do you spend this time with me, maybe an equal mystery.  –Mystery

My friend Tanner, she says, “You know, me and Jesus we’re of the same heart.  The only thing that keeps us distant is that I keep f#*@in’ up!”   –Shame on You (to be sung at the top of my lungs with my sister)

I went to the doctors, I went to the mountain.  I looked to the children, I drank from the fountain.  There’s more than one answer to these questions pointing me in a crooked line.  The less I seek my source for some definitive, the closer I am to fine.  –Closer to Fine

And the Mississippi’s mighty, but it starts in Minnesota, at a place where you could walk across with five steps down.  And I guess that’s how you started, like a pinprick to my heart, but at this point you rush right through me and I start to drown.  –Ghost

One of the other things I realized in my joyous search was that I love songs that set a scene and tell me a story. A famous example of this is Billy Joel’s Piano Man, which begins:

It’s nine o’clock on a Saturday, the regular crowd shuffles in.  There’s an old man sittin’ next to me making love to his tonic and gin.  He says, “Son, can you play me a memory. I’m not really sure how it goes.  But it’s sad and it’s sweet, and I knew it complete when I wore a younger man’s clothes.” 

It just makes you want to hear the rest! This love of a story-song is what has always kept little-known Joshua Kadison on my list of all-time favorites. His “One-hit wonder” status comes from Jessie, which begins:

From a phone booth in Vegas, Jessie calls at five A.M., to tell me how she’s tired of all of them.  She says, “Baby, I‘ve been thinking about a trailer by the sea.  We could go to Mexico: you, the cat, and me.  We’ll drink tequila and look for seashells. Now, doesn’t that sound sweet?”  Oh, Jessie, you always do this every time I get back on my feet.

He has a lot of wonderful stories about old people, too, which I have always loved. These are some of his opening lines that draw me right in:

He tells her, “I want to paint you naked on a big brass bed, with bright orange poppies all around your head.”  And she says, “Crazy old man, I’m not young anymore.”  “That’s alright,” he whispers. “I’ve never painted before.”   Painted Desert Serenade 

A cigarette burns itself out in a crushed up Coca Cola can ashtray.  In front of a busted up old mirror, Delilah Blue is checking out his tired sachet.   –Delilah Blue

Tangled in the sheets of a motel bed, Samantha paints her toenails cherry red.  She asks me if she can paint mine, too.  And I say, “Samantha, anything for you.”  –Beau’s All Night Radio Love Line

Neffertiti came out West in a stolen limousine, twenty dollars to her name and a walk like you ain’t never seen.  She moved into Number 8 with just a bottle in her hand, an old radio wrapped up in its cord, and no particular plan.  I watched her in the hallway, she blew me a little kiss, and said, “Hey baby, what’s a boy like you doing in a place like this?”  –Jus’ Like Brigitte Bardot

Marc Cohn is another one on my short list, a brilliant songwriter whose one hit is another story-song, Walking in Memphis. My favorite verse:

Now, Muriel plays piano every Friday at the Hollywood.  And they brought me down to see her, and they asked me if I would do a little number.  And I sang with all my might.  She said, “Tell me are you a Christian, child?”  And I said, “Ma’am, I am tonight!”

 Beyond the storytelling, I am also drawn to songs with social and moral messages embedded in them. A few favorite lines:

You may say I’m a dreamer, but I’m not the only one.  I hope someday you’ll join us, and the world will live as one.  –John Lennon, Imagine

 Emancipate yourself from mental slavery.  None but ourselves can free our minds.  Have no fear for atomic energy, ‘cause none of them are going to stop the time.  How long must they kill our prophets while we stand aside and look?  Some say it’s just a part of it: we’ve got to fulfill the book.  Won’t you help to sing these songs of freedom?  ‘Cause all I ever had: Redemption Songs.  Bob Marley, Redemption Song 

Come on, people now, smile on each other.  Everybody get together.  Try to love one another right now.   —Chet Powers (The Youngbloods), Get Together 

I’m starting with the man in the mirror.  I’m asking him to change his ways.  And no message could have been any clearer: if you want to make the world a better place, take a look at yourself and make a change.   –Michael Jackson, Man In The Mirror 

And of course, as I mentioned, I am a sucker for love songs, from sappy to tragic and everything in between. I have already mentioned a handful, but here are some other lines that get inside of me:

If you find yourself lost out in this world, then I’ll find a way to get back to your side.  No mountain’s too high, no stone is too small.  I’ll build a bridge through the fire; for you I would crawl, from New York to California.  –Mat Kearney, New York to California 

Tonight our bed is cold.  I’m lost in the darkness of our love.  God have mercy on the man who doubts what he’s sure of.   –Bruce Springsteen, Brilliant Disguise 

Tell the repo man and the stars above: You’re the one I love.  –David Gray, The One I Love 

The time between meeting and finally leaving is sometimes called falling in love.  –Lisa Loeb, Falling In Love 

There are way too many love songs.  I think they’ve got it all wrong.  ‘Cause life is not the mountaintops; it’s the walking in between.  –Ben Rector, I Like You 

What do I do to make you want me?  What have I got to do to be heard?  What do I say when it’s all over, and “Sorry” seems to be the hardest word?  –Elton John/Bernie Taupin, Sorry Seems To Be The Hardest Word 

I’ll let you be in my dreams if I can be in yours.  –Bob Dylan, Talkin’ World War III Blues 

I wanna have friends that I can trust, that love me for the man I’ve become not the man that I was.  I want to have friends who will let me be all alone when being alone is all that I need.  –The Avett Brothers, The Perfect Space 

You got a fast car.  Is it fast enough so we can fly away?  We gotta make a decision: leave tonight or live and die this way.  –Tracy Chapman, Fast Car 

Together again, it would feel so good to be in your arms, where all my journeys end.  If you can make a promise, if it’s one that you can keep, I vow to come for you, if you wait for me.  –Tracy Chapman, The Promise (This was in my wedding.)

All you need is love.  –John Lennon, All You Need Is Love 

I could go on like this all day! There are a million more songs and verses I would love to share with you. I LOOOOOVE music!!! However, instead of giving you more lyrics, I will close with two quotes from my favorite movie about music, Almost Famous. The first is from Band-Aid (groupie) Sapphire: “They don’t even know what it is to be a fan. Y’know? To truly love some silly little piece of music, or some band, so much that it hurts.” And finally, from music critic Lester Bangs: “Music, you know, true music, not just rock ‘n’ roll—it chooses you. It lives in your car, or alone, listening to your headphones—you know, with the vast, scenic bridges and angelic choirs in your brain.” That’s how I feel, too.

How about you? What are the lyrics that have chosen you? Open up your journal and your music catalog. As you peruse your CDs or your iTunes account or whatever, what jumps out at you? Find favorites whose lyrics have climbed down into your soul and taken root. Do you have any artists that can basically do no wrong when it comes to songwriting, like my Adam Duritz or Indigo Girls? What is it about their words that attaches to you so organically? Do you find yourself more drawn to certain types of songs, or is it all over the board? What are your favorite story-songs? Feel-good songs? Songs with a social or moral message? What about love songs? Do you like the straightforward, sappiest love songs, or do you like the more subtle, not-so-obvious lyrics (for me, Anna Begins fits the latter category, whereas Marc Cohn’s True Companion, which I also love and was in my wedding, is the former)? How much do the lyrics matter to you, anyway? Are they just icing on the cake of a great sound, or are they an essential piece if that song is going to be one of your favorites? What are some of your favorites with weak lyrics? What about the reverse: which songs have amazing lyrics but not a great sound? Which ones have the best of both? How much do you love music? Leave me a reply and let me know: What are the songs of your soul?

Be swept away with Gratitude,

William

P.S. If today’s letter resonated with you, please share it with someone who will appreciate it. I love sharing music!